Book Review: Science Fiction: Echopraxia by Peter Watts

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It’s the eve of the twenty-second century: a world where the dearly departed send postcards back from Heaven and evangelicals make scientific breakthroughs by speaking in tongues; where genetically engineered vampires solve problems intractable to baseline humans and soldiers come with zombie switches that shut off self-awareness during combat. And it’s all under surveillance by an alien presence that refuses to show itself.
Daniel Bruks is a living fossil: a field biologist in a world where biology has turned computational, a cat’s-paw used by terrorists to kill thousands. Taking refuge in the Oregon desert, he’s turned his back on a humanity that shatters into strange new subspecies with every heartbeat. But he awakens one night to find himself at the center of a storm that will turn all of history inside-out.
Now he’s trapped on a ship bound for the center of the solar system. To his left is a grief-stricken soldier, obsessed by whispered messages from a dead son. To his right is a pilot who hasn’t yet found the man she’s sworn to kill on sight. A vampire and its entourage of zombie bodyguards lurk in the shadows behind. And dead ahead, a handful of rapture-stricken monks takes them all to a meeting with something they will only call “The Angels of the Asteroids.”
Their pilgrimage brings Dan Bruks, the fossil man, face-to-face with the biggest evolutionary breakpoint since the origin of thought itself.

Title: Echopraxia
Author: Peter Watts
Category: Adult Fiction
Genre: Science Fiction
Publisher: Tor [Forge]
Publication Date: August 26, 2014
Format: NetGalley DRC
Length: 299 pages
ISBN-10: 076532802X
ISBN-13: 9780765328021

Series or Standalone: Companion Novel (Blindsight)

Literary Awards:
N/A

Themes: Consciousness, Free Will, Transhumanism
POV: 3rd person
Tense: Past

Reviewer: Atsiko Ureni

How I Got It: I’ve always been a fan of Peter Watts’s fiction. So I was very happy when Nick told me he’d gotten approved for this book on NetGalley.

Cover Notes: This cover is not very emblematic of the content of the book. It’s not bad, but I think a less generic sci-fi cover might have been better.

Review:

This is a hard review in some ways. Much like Blindsight, Echopraxia is the quintessential science fiction of ideas. They’re there, they’re big, and they’re fascinating, whether you agree with Watts’s conclusions or not. Watts explores free will and consciousness from a very scientific and logical perspective. On top of the idea of digital reality. And his idea of vampires is one of my favorite from a sci-fi perspective. Well-done hard sci-fi is incredibly difficult to find, and from the concepts and themes side of things Peter Watts is one of the few authors who always delivers.

My major issue with the story was the story itself. Watts spends so much time on the ideas that the story gets less attention that it deserves. The reader is left to fill in many gaps, and the concept of determinism and the layers upon layers of external control over what would normally be seen as acts of free will can make the plot very hard to follow. I think the basis of the plot is sound, but the execution could use a bit more work.

As far as the characters go, I loved them. Watts manages to have many characters with very unconventional motivations and beliefs that are at the same time utterly believable and relatable, even if most of them aren’t very likable. Valerie the vampire in particular was one of my favorite characters, and Watts managed to give enough exposition of his vampire concept to make her consistent in all the right ways, and unpredictable in the same.

Overall, I enjoyed reading the book, but it may not be something the casual science fiction fan would be interested in.

Conclusion: 79/100 (Good, but not the best story-telling in the world)
Premise: 7/10 (If it was more clear, I might have given it more points)
Plot: 5/10 (Not the most coherent, was back-seated to the ideas/themes)
Setting: 9/10 (Great)
Main Character: 9/10 (Not the most likable, but well-crafted and interesting)
World-building 8/10 (Pretty good, and very interesting)
Science 9/10 (Very well-researched. That appendix was… frightening?)
Supporting Characters: 7/10 (Not bad)
Writing: 6/10 (Not awful, but not brilliant)
Themes: 9/10 (Great themes, well-executed)
Resolution: 10/10 (Loved it)

Buy Or Borrow: Borrow, unless you’re really into the science fiction of ideas.

Similar Books:
The Ware Tetralogy by Rudy Rucker
The Light of Other Days by Arthur C. Clarke and Stephen Baxter
Queen of Angels by Greg Bear
Permutation City by Greg Egan

Other Reviews:
GoodReads
Kirkus Reviews
Publishers Weekly
Speculiction
The Taichung Bookworm
Armed and Dangerous
Drunken Dragon Reviews

Buy Links:
Amazon
Barnes and Noble
IndieBound

E-Books:
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Kindle UK Unavailable
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Book Review: Horror Novella: We Are All Completely Fine by Daryl Gregory

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Harrison was the Monster Detective, a storybook hero. Now he’s in his mid-thirties, and spends most of his time popping pills and not sleeping. Stan became a minor celebrity after being partially eaten by cannibals. Barbara is haunted by unreadable messages carved upon her bones. Greta may or may not be a mass-murdering arsonist. Martin never takes off his sunglasses. Never.

No one believes the extent of their horrific tales, not until they are sought out by psychotherapist Dr. Jan Sayer. What happens when these seemingly-insane outcasts form a support group? Together they must discover which monsters they face are within—and which are lurking in plain sight.

Title: We Are All Completely Fine

Author: Daryl Gregory

Category: Adult Fiction

Genre: Fantasy, Paranormal, Horror

Publisher: Tachyon Publications

Publication Date: August 12, 2014

Format: NetGalley Digital Review Copy

Length: 112 pages

ISBN-10: 1616961716

ISBN-13: 9781616961718

Series or Standalone: Standalone

Literary Awards:

N/A

Themes: Trauma

POV: Multiple Perspectives, Blended

Tense: Past

Reviewer: Atsiko Ureni

How I Got It: Daryl Gregory, writer of beautifully bizarre fiction such as Afterparty and Pandemonium is a writer I have long followed but never read. I’d only heard good things, and I always liked his premises, but I hadn’t gotten around to it. An ARC from NetGalley seemed like just the impetus I was lacking, and I’m very grateful to Nick for providing it.

Review:

I don’t often read horror, but Gregory is an eclectic writer, so I figured I’d take the chance this time. I don’t regret it. Gregory has a strong command of his characters, something speculative fiction has oft been accused of lacking. The horror elements of the story were more like seeds or remnants, rarely seen in the flesh–even in psychological horror terms-but I think that’s part of what makes the idea of the story so intriguing, and it lets Gregory make good use of his characterization skills in a way pure horror doesn’t always allow.

The therapeutic setting may not be the most original, but it managed to remain quite active despite the obvious sedentary nature of such sessions.

Harrison plays the sort of mentor character by way of providing a great deal of elegantly inserted exposition, background, and validation to the other characters. I thought of him as the main character, despite the shifting perspectives, and I think he did a good job anchoring the narrative and the dynamics between the other characters.

Jan, as she likes to be known, is the therapist who creates the inciting incident of the story, and Gregory’s light touch in imparting the reasons for the group’s existence is a nice change from the heavy-handed foreshadowing one often comes across in pulp horror. The same goes for the unraveling of the web of history that connects the characters, history they themselves ma be unaware of. You’d think a story that deals so much with the past would drag, but it doesn’t, and the tantalizing hints of back-story definitely left me wanting more about these characters. It felt like I only got a snapshot of the characters’ lives, and that their stories existed long before that snapshot and will keep going long after. And yet the snapshot itself was still very satisfying. That’s something I consider a mark of a superior story–there are loose ends and secrets and histories the reader is unaware of, but it adds to rather than detracts from the story.

Also, +1 for using augmented reality in a horror story.

It’s safe to say I’ll be picking up a few other Daryl Gregory books after reading this, and I urge everyone else to do the same.

I think anyone who reads speculative or literary fiction would enjoy this book, no matter what they usually read.

Conclusion: 87/100 (An 87 is actually a really high rating, coming from me.)

Premise: 9/10 (Fresh and engaging)

Plot: 9/10 (Compact, but well-constructed)

Setting: 8/10 (Strongly evoked)

Main Character: 10/10 (Citing Harrison, lovely aged boy wonder)

World-building 9/10 (No info-dumping, great details)

Horror Elements 6/10 (Not all that much horror, even psychologically)

Supporting Characters: 10/10 (Well-crafted)

Writing: 8/10 (Well-written)

Themes: 8/10 (Trauma and related themes lovingly conveyed)

Resolution: 9/10 (Made sense, left you thinking)

Buy Or Borrow: Totally buy.

Similar Books:

Other Reviews:

GoodReads

Publishers Weekly

Kirkus August Picks

LitReactor BookShots

Eric Christensen

Bookworm Blues

Thinking About Books

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Amazon

Barnes and Noble

IndieBound

E-Books:

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Book Review: Fantasy/Romance: The House of the Four Winds by Mercedes Lackey and James Mallory

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The rulers of tiny, impoverished Swansgaard have twelve daughters and one son. While the prince’s future is assured, his twelve sisters must find their own fortunes.

Disguising herself as Clarence, a sailor, Princess Clarice intends to work her way to the New World. When the crew rebels, Clarice/Clarence, an expert with rapier and dagger, sides with the handsome navigator, Dominick, and kills the cruel captain.

Dominick leads the now-outlawed crew in search of treasure in the secret pirate haven known as The House of Four Winds. They encounter the sorceress Shamal, who claims Dominick for her own—but Clarice has fallen hard for Dominick and won’t give him up without a fight.

Title: The House of the Four Winds
Author(s): Mercedes Lackey and James Mallory
Category: Adult Fiction/New Adult
Genre: Fantasy/Romance
Publisher: Tor Books
Publication Date: August 5, 2014
Format: Digital Review Copy from NetGalley
Length: 231 pages
ISBN-10: 0765335654
ISBN-13: 9780765335654

Series or Standalone: One Dozen Daughters #1

Literary Awards:
N/A

Themes: Pirates
POV: Third Person
Tense: Past

Reviewer: Marisa

How I Found It: I’ve always been a big Lackey fan, so when Nick told me he could get an ARC of her new series, of course I jumped at the chance.

Cover Notes: I thought the cover was lovely, but to start on a theme you can expect to see a lot of in my review, it felt very Pirates of the Caribbean to me.

Soundtrack: It might be a bit mean of me, but you won’t be surprised to know I read this one to the tune of my PotC soundtracks. Unsurprisingly, they fit it pretty well.

Review:

Maybe I over-hyped this book to myself, since I love Lackey so much. Perhaps I went into it with slightly inaccurate genre expectations. Either way, I found myself quite disappointed with this book. That’s not to say it’s awful. It’s a passable mix between a pirate romance and a fairy-tale. The plot mostly holds together, and most of the characters are interesting. But there’s nothing special about the book that grabs, and despite portraying itself as a fantasy romance, the fantasy elements are few and far-between, for the most part, and the romance has no meat to it. There’s insta-love on the part of Clarice, but 99% of the story pushes her relationship with Dominick towards friendship rather than romance. In fact, there’s something of a warm bro-mance between Dominick and Clarice’s alternate persona Clarence. I think the book might have been better if Clarice had been a boy, perhaps a disposable 12th prince instead of the 1st of twelve princesses.

The main plot of the story started out quite interesting, and up until half-way through the portion of the novel set in the eponymous House of the Four Winds, I thought the story was quite interesting. Despite a few small quibbles. But the direction the story took after that had horrible pacing, little suspense, and was chock-full of sailor lore cliches that added little to the story. There were three major conflicts in the story. The first, involving the mutiny, was fairly interesting and what at first appeared to be bad characterization in fact turned out to be an intriguing plot twist. I have to congratulate the authors on that one.

The second conflict/sub-plot, involving the aftermath of the mutiny and the character’s arrival at the House was also interesting. But it was rushed through, and the swash-buckling, pirate-wrangling adventure I was anticipating was almost immediately done away with.

The third conflict was cliche, rushed, and boring, with only one or two sparks of interest to carry me through it.

In the end, while this isn’t an awful book, and I don’t think I completely wasted my time reading it–short as it was, I’m not particularly excited to see the next few books in the series either. This was not of the quality I had come to expect from Mercedes Lackey. I haven’t read any of her other collaborations with James Mallory, so perhaps his influence has something to do with the lack. I’m not very motivated to find out, at this point.

Conclusion: 61/100 (A very cliche and rather boring Pirates of the Caribbean clone)
Premise: 6/10 (Fun and an old standard, but no interesting twist)
Plot: 5/10 (Cliche and a bit dull, but coherent)
Setting: 8/10 (Our world, but nicely re-imagined)
Main Character(s): 7/10 (Loved Clarice/Clarence, found Dominick rather flat)
World-building: 5/10 (paper-thin facade of an alternate earth, but coherent enough)
Romance Sub-plot: 5/10 (Sweet, but way under-developed)
Supporting Characters: 8/10 (Fun and diverse)
Writing: 7/10 (Decently-written, but not fantastic)
Themes: 4/10 (No real theme to add depth to the story)
Resolution: 6/10 (Rushed and hollow)

Buy Or Borrow: I’d say borrow unless you’re a huge Lackey fan or love nautical romance.

Similar Books:
I don’t read a lot of romance, but I’m sure there are similar books. As for fantasy, I can’t think of any off the top of my head.

Other Reviews:
GoodReads
Dear Author
Bibliophilia, Please
There Were Books Involved
Between the Pages
Imaginary Reads
Gun In Act One

Buy Links:
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IndieBound

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Book Review: Fantasy: Fool’s Assassin by Robin Hobb

Fool's Assassin Cover

Nearly twenty years ago, Robin Hobb burst upon the fantasy scene with the first of her acclaimed Farseer novels, Assassin’s Apprentice, which introduced the characters of FitzChivalry Farseer and his uncanny friend the Fool. A watershed moment in modern fantasy, this novel—and those that followed—broke exciting new ground in a beloved genre. Together with George R. R. Martin, Robin Hobb helped pave the way for such talented new voices as Scott Lynch, Brandon Sanderson, and Naomi Novik.

Over the years, Hobb’s imagination has soared throughout the mythic lands of the Six Duchies in such bestselling series as the Liveship Traders Trilogy and the Rain Wilds Chronicles. But no matter how far she roamed, her heart always remained with Fitz. And now, at last, she has come home, with an astonishing new novel that opens a dark and gripping chapter in the Farseer saga.

FitzChivalry—royal bastard and former king’s assassin—has left his life of intrigue behind. As far as the rest of the world knows, FitzChivalry Farseer is dead and buried. Masquerading as Tom Badgerlock, Fitz is now married to his childhood sweetheart, Molly, and leading the quiet life of a country squire.

Though Fitz is haunted by the disappearance of the Fool, who did so much to shape Fitz into the man he has become, such private hurts are put aside in the business of daily life, at least until the appearance of menacing, pale-skinned strangers casts a sinister shadow over Fitz’s past . . . and his future.

Now, to protect his new life, the former assassin must once again take up his old one. . . .

Title: Fool’s Assassin
Author: Robin Hobb
Category: Adult Fiction
Genre: Fantasy, High Fantasy
Publisher: Del Ray Spectra
Publication Date: August 12, 2014
Format: Electronic Review Copy
Length: 580 pages
ISBN-10: 0553392425
ISBN-13: 9780553392425

Series or Standalone: The Fitz and The Fool Trilogy, #1

Literary Awards:
N/A

Themes: Family/Parenting
POV: Dual First Person
Tense: Past

Reviewer: Atsiko Ureni

How I Got It: Nick received an electronic review copy of this book from NetGalley, and being a huge Robin Hobb fan, of course I said I’d review it.

Review:

I always try to write my reviews as soon after finishing the book as possible, because the longer I wait, the more I notice things that weren’t actually so great about it. But as a reader, if the author can manage to sweep those things under the rug long enough for me to finish the book, I’m willing to give them a bit of wiggle room. But, even having only been done for a day or so, I still had a few issues with this book, even though I mostly enjoyed it.

World-building

Judging a book in a series is always harder than a standalone. Especially a book that continues a larger series after ten years or more. I loved the rest of Hobb’s Fitz series, and all her stories set in the same world, to be honest. So she has the weight of all her previous (and incredible) world-building work behind this book. That said, I think she still did a great job with her world-building in this novel, tying in with the older books with barely the knot even showing. The Six Duchies still stands out as one of the most beautiful and fully-realized fantasy settings I’ve ever had the pleasure to encounter. And the setting of Withywoods is in the same vein. I felt just as present there as I did at Buckkeep in the previous novels.

Characters

The first major issue I have with the book–and many other reviews apparently agree with me–was the characters. Nettle, Fitz’s daughter with Molly, was almost perfect. A bit clueless about some things, but more by authorial edict than character development. Molly, too, felt like a natural progression of her previous character. But beyond that, the main characters had some serious flaws in their portrayal. Fitz himself seemed to be his old smart self or a complete idiot as the plot dictated. He would ignore his daughter Bee’s problems at one point, and a page later he would be almost the ideal father to her. It was incredibly frustrating in some places. It didn’t ruin the book for me, but it contributed to several concerns I had with the way the plot was constructed. When Hobb was on the ball, she was on fire, but when she was off it, she was terrible in this respect.

Bee was another problem character. Again the plot seemed to force her into some unnatural behavior, such as her lack of communication in areas where even a girl her age would have known it was needed. She was portrayed as wiser than her years in many ways, and yet she also had the instincts of a child and the apparent knowledge of how adults are so divorced from children’s politics to be good allies. In many ways, she was an expertly constructed character, despite my issues with the rather cliche “old soul”/ mystical waif character Hobb assigned her. I was so split on Bee. I wanted to love her when sparks of Hobb’s first person characterization brilliance showed themselves. But often I found her annoying.

Finally, several characters were caught up in the authorial persecution of Bee’s character. FitzVigilant(Lant), Shun Fallstar, even Fitz, on occasion. Hobb had so many other seeds she could have nurtured in pursuit of her goal with Bee, and yet she fell back on mediocre conspiracy between characters. Certainly Fitz often joined this conspiracy by being a complete idiot on several occasions.

Shun’s character was quite irritating in that regard. And others. I never figured out why Chade was such an idiot regarding how her temperament might conflict with Bee and Fitz. Why he even let her retain such a temperament in the first place. Several of the characters are getting a bit old, perhaps losing some of their edge. A great route to take, I think, if only Hobb had made better use of it. But it doesn’t excuse their utter failure to think ahead more than three seconds when convenient to Hobb’s plot.

In fact, I might have enjoyed Shun and Lant’s personalities in isolation or in another context. But as is, they frustrated me quite a lot.

Plot

For obvious spoiler reasons and the fact that this is an advance review, I won’t be able to discuss the plot issues as fully as I’d like. The main plot was quite interesting. On it’s own, it might warrant a 9/10. But Hobb’s obvious desire to accomplish her set-up and character introductions meant the pacing in this book was off quite often, and the book dragged in areas. Even with the large time-skips near the beginning of the novel. If Hobb had focused more on the main plot, and not dropped such a brutally lazy cliff-hanger at the end of the book, it would have been a great re-entrance into the Farseer universe. There was a lot of potential in the book, and I’m very hopeful that the rest of the series, having its set-up completed her, will be a vast improvement in terms of actual story.

Conclusion

This definitely felt like a Fitz novel, and though it may seem like I hated everything about the book, it was actually a mostly enjoyable read, even if I have to admit it’s not Hobb’s best work. I do think it’s worth reading, and the portion of Fitz fans who were desperately waiting for more Farseer novels will definitely want to read this. It was great to feel the old characters around me again. Even though there wasn’t a lot of new action and mystery in the novel, it was still interesting, and I wanted to know what would happen as I turned the pages.

That said, for someone just getting into the Farseer novels or Robin Hobb as an author, I would not start here. I would read the Soldier Son trilogy or the original Fitz trilogy first.

Conclusion: 80/100 (Worth the read, but my expectations were much too high)
Premise: 8/10 (For anyone whose ever wanted an “after the quest is over” narrative)
Plot: 8/10 (Coherent and interesting, but had some holes)
Setting: 9/10 (I definitely felt like I was in the Six Duchies. Withywoods especially was great)
Main Character(s): 7/10 (Mostly well-drawn and interesting, but Bee had some issues)
World-building: 8/10 (Lovely, few holes)
Magic System 9/10 (Very solid and integrated to the world, though rarely flashy)
Supporting Characters: 7/10 (The newer characters felt a bit shallow)
Writing: 8/10 (Very evocative, but awkward in places)
Themes: 8/10 (Good themes, and well executed for the most part)
Resolution: 8/10 (Interesting, but an annoyingly massive cliff-hanger)

Buy Or Borrow: Definitely worth buying this. I can’t wait to read the next one.

Similar Books:
The Demon Child Trilogy by Jennifer Fallon
Winds of the Forelands by David B. Coe

Other Reviews:
GoodReads
Kirkus Reviews
Publisher’s Weekly
SciFiNow
I Smell Sheep
Pat’s Fantasy Hotlist
Kobold Press

Buy Links:
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Barnes and Noble
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Book Review: Young Adult: The Bridge from Me to You by Lisa Schroeder

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Lauren has a secret. Colby has a problem. But when they find each other, everything falls into place.

Lauren is the new girl in town with a dark secret. Colby is the football hero with a dream of something more. In alternating chapters, they come together, fall apart, and build something stronger than either of them thought possible–something to truly believe in.

Title: The Bridge from Me to You
Author: Lisa Schroeder
Category: Young Adult
Genre: Contemporary/Contemp Romance
Publisher: Scholastic (Point)
Publication Date: July 29, 2014
Format: Hardcover
Length: 336 pages
ISBN-10: 0545646014
ISBN-13: 9780545646017

Series or Standalone: Standalone

Literary Awards:
N/A

Themes: Family Problems
POV: Alternating First Person
Tense: Present

Reviewer: Marisa

How I Found It: I’d heard a fair amount about Lisa Schroeder before reading this, particularly about her habit of writing verse novels. In fact, I assumed before reading this that both characters would have their chapters in verse. When Nick said he had an ARC from NetGalley for Schroeder’s newest book and would I like to review it, I was very excited.

Cover Notes: I’ve used the hardback edition cover here. My ARC had a different one. To be honest, I didn’t care much for either of them. They just seemed so generic. I wanted a cover that better represented Lauren and Colby.

Soundtrack: The book is set in the Pacific Northwest–Oregon specifically, and Lauren has just moved to a new town from Seattle, Washington. Naturally I went for some indie folk and rock. Lisa Scroeder apparently had the same idea, because I found out a few chapters in that Lauren’s best friend in her new town loves The Head and the Heart.

Review:

This is going to be a complicated review. I’ve heard a lot of people praising Schroeder’s use of verse in novels. I also saw a few reviewers compare Bridge to The Fault in Our Stars. Neither of these assessments are accurate in my view. The book does not live up to the quality I expect in YA literature these days, and it certainly isn’t the next TFIOS.

The first problem I had with the book was that Lauren’s poetry chapters were too short. The poetry wasn’t very good, although it had a few nice moments. It would have worked just fine as stream of consciousness prose in instead of “poetry”. I liked Lauren’s character, and there were a couple chapters in my ARC where hers was in prose. I loved the chapters much more than any of her others. I think I would have liked the book more if Schroeder had used that format. It seemed kind of like the poetry in this novel was a gimmick more than a well-thought out stylistic choice. And as I said, Lauren’s chapters were so short. I felt like she was the real main character of the story, and I wish she had gotten more page time.

Lauren herself was a very interesting character. She had a dark event in her past, and it was not what I was expecting. I felt like it did a great job of informing her character, and differentiating her from many other YA Romance protags out there. That’s one of the things that made this novel so disappointing for me. It had such potential. That might be the major theme of this review, really. I also liked Lauren’s relationship with her uncle’s family. It was very realistic, and it informed a lot of my opinions on Lauren’s character.

I did have one nit to pick, which was how hard the author beat the “new girl” drum. Being the new kid, especially in a small town, can be tough. But it never actually seemed to cause Lauren any trouble. Perhaps if we’d seen a bit more of the characters’ school life, it would have been different. But it wasn’t.

Colby was also an interesting character, though I didn’t like him as much as I liked Lauren. He’s a football star, which is a bit cliche, and his issues on the field were similarly cliche. But there were some hints at something deeper. Rather than planning on a football scholarship to college, Colby wants to study engineering. He loves bridges, and there’s a sweet moment where he takes Lauren to a local covered bridge. Naturally, this desire causes a great deal of tension between Colby and the rest of his football-loving small town. Especially when his best friend Benny gets in an accident. But, I did wish there had been a deeper exploration of his character. Like many other initially intriguing aspects of the story, Colby’s character arc felt rushed. I think the novel could have done with another hundred pages or so of development, both of the plot and the characters.

As another example, Colby’s friend Stasia, who later becomes Lauren’s best friend after Stasia’s moved to Berkeley, gets barely any time. Just enough to commiserate a bit about Colby’s apparent disinterest in Lauren. It annoyed me that while Colby got page time with both his friend Benny and their families, Lauren barely gets any time with Stasia, and spends most of it dealing with her uncle or Colby.

I heard somewhere that the novel might be something of a send-up to one of the author’s favorite TV shows, Friday Night Lights. Having seen some of that show, I have to say if that was the intention, it failed. FNL is more like what this book could have been, or should have been. In fact, I would have liked the book a lot more if it was closer to FNL.

In the end, The Bridge from Me to You felt more like the rough draft of a novel to me than a finished piece. While it was a sweet romance, and the characters took their relationship intentionally slow in a away I wish more YA romance characters did, that wasn’t enough to save it from its many flaws.

ETA:  All of that said, I’m not writing off the entire author.  I’ve heard great things about her other books, and I do love the concept of a verse novel.

Conclusion: 60/100 (I wanted to like it, but I couldn’t)
Premise: 4/10 (Not the most creative)
Plot: 6/10 (Potential un-reached)
Setting: 6/10 (Standard small football town)
Main Character(s): 8/10 (Stood out in an otherwise mediocre novel)
Love Interest 6/10 (Had potential, didn’t reach it)
Romance Plot 5/10 (Didn’t live up to it’s potential)
Supporting Characters: 6/10 (The ones I really liked got very little page time)
Writing: 3/5 (Did not care for the poetry or the prose, but it was readable)
Voice: 2/5 (Lauren was decent, didn’t buy Colby as a teenage boy)
Themes: 7/10 (Great themes, but poor execution)
Resolution: 7/10 (Sweet, but a bit cliche)

Buy Or Borrow: Borrow from the library or a friend if you must, but I didn’t find it worth the cost.

Similar Books:
Anna and the French Kiss by Stephanie Perkins
The Sky Always Hears Me by Kirstin Cronn-Mills
Eleanor and Park by Rainbow Rowell

Other Reviews:
GoodReads
Kirkus Reviews
Publishers Weekly
YA Books Central
teenreads
rather be reading ya
Candace’s Book Blog

Buy Links:
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IndieBound

E-Books:
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Book Review: Young Adult: Blightborn by Chuck Wendig

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Cael McAvoy is on the run. He’s heading toward the Empyrean to rescue his sister, Merelda, and to find Gwennie before she’s lost to Cael forever. With his pals, Lane and Rigo, Cael journeys across the Heartland to catch a ride into the sky. But with Boyland and others after them, Cael and his friends won’t make it through unchanged.
Gwennie’s living the life of a Lottery winner, but it’s not what she expected. Separated from her family, Gwennie makes a bold move—one that catches the attention of the Empyrean and changes the course of an Empyrean man’s life.
The crew from Boxelder aren’t the only folks willing to sacrifice everything to see the Empyrean fall. The question is: Can the others be trusted?
They’d all better hurry. Because the Empyrean has plans that could ensure that the Heartland never fights back again.
Chuck Wendig’s riveting sequel to Under the Empyrean Sky plunges readers into an unsettling world of inequality and destruction, and fleshes out a cast of ragtag characters all fighting for survival and, ultimately, change.

Title: Blightborn
Author: Chuck Wendig
Category: Young Adult
Genre: Science Fiction, Dystopia
Publisher: Amazon Publishing (Skyscape)
Publication Date: July 29, 2014
Format: Kindle Ebook
Length: 528 pages
ISBN-10: 1477847707
ISBN-13: 978-1477847701

Series or Standalone: The Heartland Trilogy #2

Literary Awards:
N/A

Themes: Environmentalism, Terrorism
POV: 3rd Person, Multiple POV
Tense: Present

 

Reviewer: Nick Morgan

Why I Read It: Despite my disillusionment with the dystopian genre in the past few years, I decided to give this book a shot after receiving a digital review copy from the publisher through NetGalley. I have no regrets.

Review:

Chuck Wendig demonstrates his powerful storytelling abilities in his Heartlands series. Both Blightborn and the previous book were page-turners with interesting characters and a beautifully crafted setting in the Heartland of what used to be the United States, and is now the dominion of the Emyperean. Corn has spread like a weed across vast swaths of the old Midwest, and the economy is based on the trade of corn derivatives with the builders of great floating cities in the sky.

Mild spoilers for Under the Empyeran Sky follow:

Following Gwennie’s ascent into the flotilla of Ormond Stirling Saranyu as a Lottery Winner, Wendig introduces us to Gwennie’s new protector, Balastair, and are slowly introduced to the rest f the Empyrean cast. We also start to get some hints of what happened to Cael’s sister Merelda. And it’s quite an interesting story, too.

We also get to learn more about the world of the Heartland and Empyrean. Some of the history and the secrets come to light during Cael’s journey. The reasons why the world is the way it is are pretty well constructed, and they add wonderfully to the (urban) mythology of Wendig’s world.

I would say Blightborn is an improvement on Empyrean Sky, instead of the slump than many middle books in a trilogy tend to be. The action ramps up, but it’s not filler. There are no training montages or sitting around waiting for the enemy to make a move. Wendig has created one of the more proactive dystopian MCs in a long while, and he takes full advantage of it.

Now, with all that said, there are some things that are not so great about the book. For example, Wendig still hasn’t really explained the reason for the Obligation ceremony. The ceremony serves to drive much of the story, both in the form of the conflict over Gwennie between Cael and Boyland, and in the character arc of Wanda. The idea of the Obligation certainly provides some convenient tension and motivation for Wendig’s characters, but it’s rather unclear why the Empyrean have imposed it on the Heartlanders when their own society is so much more free in terms of sexual and romantic relationships. Perhaps Wendig has some answers, but he hasn’t seen fit to share them with his readers, and I found it a bit frustrating.

Something of a bit more controversial nature is the relation ship between Merelda and her friend from the Provisional Depot. I won’t spoil it here, especially this close to publication, but it’s something that would certainly push this towards the 14+ crowd if you went by the standard media ratings systems. I haven’t actually decided how I feel about it. It fits with the way many teenagers think, and it creates one of the most interesting sources of tension in the novel. But it did make me rather uncomfortable in a way not a lot of YA books do. In some ways, that’s actually a compliment to Wendig. If I just hated it, or wasn’t at all bothered, it wouldn’t be nearly as powerful of a situation, and it would probably mean it was just handled poorly.

My final nitpick has to do with a world-building issue. Considering the technology obviously available to the Empyrean, it seems a bit odd they would have so much trouble creating the pegasus that drives so much of the first part of the novel. They Empyrean clearly has access to some incredible genetics and bio-engineering technology, as you’ll see if you read the book. So why do they find this one issue so difficult? I note this as an example of the cracks that run through Wendig’s world-building. As long as you are pulled along by the story itself, and keep turning pages, you might be able to ignore these cracks. But for those who do care a bit more about the world-building aspects of the story, I want to be honest about my feelings on this issue.

Still, despite a few reservations, I did enjoy this book, and I’m sure there are many others who would also enjoy it. I can’t say everyone should go out and buy this book right now, but neither can I let anyone dismiss it out of hand. Certainly, anyone who enjoyed the first book in the series will find this a worthy successor.

Conclusion: 74/100 (Very readable)
Premise: 9/10 (Convinced me to read the series, no problem)
Plot: 7/10 (Coherent if unambitious)
Setting: 8/10 (Well constructed, intriguing, mysterious)
Main Character: 8/10 (Well-crafted, engaging)
World-building 7/10 (Great base, shaky details)
Romance Sub-plot 5/10 (Cliche and forced)
Supporting Characters: 8/10 (Well-constructed, engaging)
Writing: 7/10 (More than competent, kept me reading)
Themes: 6/10 (High aspirations, low execution)
Resolution: 9/10 (Action-packed)

Buy Or Borrow: Worth buying if you love YA Dystopia.

About the Author:

Chuck Wendig is a novelist, screenwriter, and game designer. He’s the author of BLACKBIRDS, DOUBLE DEAD and DINOCALYPSE NOW, and is co-writer of the short film PANDEMIC, the feature film HiM, and the Emmy-nominated digital narrative COLLAPSUS. He lives in Pennsylvania with wife, taco terrier, and tiny human.

Similar Books:
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Other Reviews:
GoodReads
Michael Patrick Hicks – Author Website
Bones, Books, & Buffy
Melanie R. Meadors – Author Website

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