Book Review: Young Adult: Tell Me Again How A Crush Should Feel by Sara Farizan

farizan cover

High-school junior Leila has made it most of the way through Armstead Academy without having a crush on anyone, which is something of a relief. Her Persian heritage already makes her different from her classmates; if word got out that she liked girls, life would be twice as hard. But when a sophisticated, beautiful new girl, Saskia, shows up, Leila starts to take risks she never thought she would, especially when it looks as if the attraction between them is mutual. Struggling to sort out her growing feelings and Saskia’s confusing signals, Leila confides in her old friend, Lisa, and grows closer to her fellow drama tech-crew members, especially Tomas, whose comments about his own sexuality are frank, funny, wise, and sometimes painful. Gradually, Leila begins to see that almost all her classmates are more complicated than they first appear to be, and many are keeping fascinating secrets of their own.

Title: Tell Me Again How a Crush Should Feel
Author: Sara Farizan
Category: Young Adult
Genre: Contemporary with a side of romance
Publisher: Algonquin Young Readers
Publication Date: October 7, 2014
Format: NetGalley DRC
Length: 306 pages
ISBN-10: 161620284X
ISBN-13: 9781616202842

Series or Standalone: Standalone

Literary Awards:
N/A

Themes:GLBT
POV: First person
Tense: Present

Reviewer: Marisa

Where I Got It: I asked Nick to keep an eye out for interesting contemp novels on NetGalley, especially involving diverse authors or characters. He gave me the summary for this one, and it sounded fun. Even though the cover was pink and had lips on it, it didn’t seem like a standard romance, so I figured why not?

Cover Notes: I really liked the cover here, although it was a bit pink. I think it implies a more classic romance plot than is really present, but that might just be me. I wish there had been more of an actual image here.

Review:

There were a lot of things to like about this book. The main character, Leila was a very good YA MC. She was a bit clueless, and a little privileged; which is fairly standard for YA protags. She also had a bit of a social misfit vibe, which Farizan handled very smoothly. It never felt forced or overdone. Despite Leila going to a fairly elite school, Farizan managed to make the story and Leila’s school life feel accessible to me, a middle class public school kid. That’s something I really like in an author.

Leila’s family, was also well-written, from my perspective. I felt like there was a strong theme of unreliable narration there, in the sense that at first, you really only see them through Leila’s eyes, but as she grows throughout the book, you realize she’s just as clueless about everybody else’s true selves as any teenager. It’s a common theme in YA, but only because it’s pretty common in real life.

The romance plot in the book was also great. Better than many YA romance plots I’ve come across. Saskia is exactly like many of the girls/boys who seem most alluring as a teenager. Now, there are a few cliches common to GLBT romances (and straight ones, too, to be fair): the clueless straight best friend with a crush, etc. But they’re handled pretty well by Farizan. There are some fun twists and turns, and they all felt pretty natural.

I said earlier I didn’t see this book as a classic romance; I think I should elaborate a bit. What I mean is that there’s so much more going on here than a straight romance plot. Many (but not all!) romance stories have way more focus on the romance than I’m interested in. Especially with love triangles–(I’m looking at you, Twilight!). There’s absolutely a strong romance component in this book, and it’s marketed that way. But there’s more than just that romance plot, and I think that gives a book more depth. I think a fair number of readers who aren’t romance fans could still enjoy this book.

Finally, this is a coming-out story. Not only is Leila not out, but she’s also a bit naive about the whole thing, and she believes many stereotypes about lesbians. The coming-out plot itself is fairly standard. There’s nothing shocking or unique about Leila’s experience, although her cultural heritage–she’s Iranian–does add some flavor to it. Farizan telegraphs many of the developments coming-out-wise fairly early, although she manages to keep the romance aspect of it a bit less obvious to the reader. That said, I’m not really criticizing her handling of it. Any readers not familiar with the coming-out narrative in modern fiction will find Farizan’s version accurate and interesting, and there are no real stereotypes perpetrated by the author herself.

Conclusion: 79/100 (Not brilliant, but very enjoyable)
Premise: 8/10 (Interesting, though not unique)
Plot: 8/10 (Engaging)
Setting: 8/10 (Well-depicted)
Main Character: 8/10 (Standard teenager, fun and not irritating)
Coming out plot: 7/10 (Nothing new or unique, but well-written)
Romance plot: 8/10 (Strong and realistic, but still cute and fun)
Supporting Characters: 8/10 (No cardboard cut-outs here)
Writing: 4/10 (Engaging)
Voice: 5/10 (Very realistic)
Themes: 8/10 (Well-executed)
Resolution: 7/10 (Very optimistic but not contrived)

Buy Or Borrow: If you’re looking for a contemp with strong romantic or GLBT themes, this is definitely worth a buy. If not, you might be better off borrowing it.

Similar Books:
The Miseducation of Cameron Post by emily m. danforth
The Difference Between You and Me by Madeleine George
Ask the Passengers by A.S. King
Empress of the World by Sara Ryan

Other Reviews:
GoodReads
Kirkus Reviews
Publishers Weekly
YA Midnight Reads
Good Books and Good Wine
Writer of Wrongs
Little Hyuts

Buy Links:
Amazon
Barnes and Noble
IndieBound

E-Books:
iBooks
Kindle UK
Kindle US
Kobo
Google Play
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Book Review: Fantasy: The Dark Defiles by Richard K. Morgan

thedarkdefilescover

Ringil Eskiath, a reluctant hero viewed as a corrupt degenerate by the very people who demand his help, has traveled far in search of the Illwrack Changeling, a deathless human sorcerer-warrior raised by the bloodthirsty Aldrain, former rulers of the world. Separated from his companions—Egar the Dragonbane and Archeth—Ringil risks his soul to master a deadly magic that alone can challenge the might of the Changeling. While Archeth and the Dragonbane embark on a trail of blood and tears that ends up exposing long-buried secrets, Ringil finds himself tested as never before, with his life and all existence hanging in the balance.

Title: The Dark Defiles
Author: Richard K. Morgan
Category: Adult Fiction
Genre: Science Fantasy
Publisher: Del Ray Spectra
Publication Date: October 7, 2014
Format: Netgalley DRC
Length: 692 pages
ISBN-10: 0575077948
ISBN-13: 9780345493101

Series or Standalone: A Land Fit for Heroes #3

Literary Awards:
N/A

Themes: The Creation of a Myth, What is a Hero?
POV: Third Person, Multiple POVs
Tense: Past

Reviewer: Atsiko

Why I Read It: I’d heard a lot about Richard K. Morgan’s foray into the fantasy genre, how ground-breaking it was. There was a lot of hype, and I’d never read any of his
science fiction books before. Sounded over-hyped, so I read other things instead. Then Nick managed to score an ARC of the third book in the series. I figured I might as well give it a shot, and it was outside my normal reading, so why not?

Review:

There’s a lot of talk about Richard Morgan breaking new ground in the fantasy genre with this series. First, to get things straight, this series is the bastard child of sword and sorcery and science fantasy, with the Grimdark aesthetic so popular in fantasy right now being the icing on the cake. In that sense, it’s not even part of the high or epic fantasy genres. Now that we have that out of the way, the book on its actual merits.

1. World-building: This is one of the major points of fantasy or speculative fiction in general. Morgan shows himself to be a very competent world-builder in this book. Although he makes use of a lot of subverted cliches, or even cliches played straight, there aren’t any major wholes in the world-building. What he does best is history and the other-world part of the setting. Quite interesting, lots of cool takes on older fantasy staples. The main world of the story, though, doesn’t fare so well. There’s an Empire, a “League of Free Cities”, and some barbarians in the form of “steppe nomads”, but with the steppe replaced by the Great Plains of middle America. Nothing new or even particularly interesting here. Although, he has improved a great deal on the previous novels.

2. Characters: The characters have much improved in this book. They are more developed, and make more interesting decisions. Ringil in particular develops his anti-hero personality, much more. Especially vis-a-vis his family. And yet without any of the over-indulgence that was present in the last book. Further, he comes more into his powers, and Morgan shows more of the process.

Archeth, too gets a boost in ability, and her relationship to the absent Kiriath and the Helmsmen they left behind is greatly expanded upon.

Egar Dragonbane also receives much more development. A good thing considering he was the weakest character in the previous two books.

3. Story: The threads of the story are much better balanced than in the preivious two books. A great deal of info-dumping occurs, as Morgan attempts to set up for the climax and resolution of the story. A climax that could have been very interesting if handled better, but here fell rather flat and felt rushed. There were several interesting scenes, and the book recovers incredibly well from the second-book-slump of The Cold Commands. In fact, the middle two-thirds of the story is perhaps the best part of the entire trilogy.

In the end, as much as it does to counteract the weaknesses of the rest of the trilogy, it can’t quite manage to bring the trilogy from your average mid-list fantasy series to the heights promised by the initial hype leading up to the release of The Steel Remains.

Conclusion: 69/100 (Readable but not the brilliance it’s made out to be)
Premise: 6/10 (Meant to be ground-breaking, isn’t)
Plot: 8/10 (Coherent and interesting)
Setting: 6/10 (Fairly standard fantasy cliches)
Main Character(s): 8/10 (Standard tropes, well executed)
World-building 8/10 (Some very interesting points but not brilliant)
Magic system 7/10 (Fairly standard)
Supporting Characters: 4/10 (Very cliche)
Writing: 4/5 (More than competent, not brilliant)
Voice: 5/5 (Very strong voice, easy to distinguish between characters)
Themes: 7/10 (Good, poorly expressed)
Resolution: 6/10 (Predictable and boring)

Buy Or Borrow: Worth buying if this review intrigues you.

Similar Books:
The Coldfire Trilogy by C.S. Friedman
The Corean Chronicles by L. E. Modesitt
The Elric Saga by Michael Moorcock
The First Law Trilogy by Joe Abercrombie

Other Reviews:
GoodReads
Kirkus Reviews
_
_
_
_
_

Buy Links:
Amazon
Barnes and Noble
IndieBound

E-Books:
iBooks
Kindle UK
Kindle US
Kobo
Google Play
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Book Review: Young Adult: Love is the Drug by Alaya Dawn Johnson

Love is the Drug cover

Emily Bird was raised not to ask questions. She has perfect hair, the perfect boyfriend, and a perfect Ivy-League future. But a chance meeting with Roosevelt David, a homeland security agent, at a party for Washington DC’s elite leads to Bird waking up in a hospital, days later, with no memory of the end of the night.

Meanwhile, the world has fallen apart: A deadly flu virus is sweeping the nation, forcing quarantines, curfews, even martial law. And Roosevelt is certain that Bird knows something. Something about the virus–something about her parents’ top secret scientific work–something she shouldn’t know.

The only one Bird can trust is Coffee, a quiet, outsider genius who deals drugs to their classmates and is a firm believer in conspiracy theories. And he believes in Bird. But as Bird and Coffee dig deeper into what really happened that night, Bird finds that she might know more than she remembers. And what she knows could unleash the biggest government scandal in US history.

Title: Love is the Drug
Author: Alaya Dawn Johnson
Category: Young Adult
Genre: Thriller
Publisher: Scholastic
Publication Date: September 30, 2014
Format: DRC from Netgalley
Length: 355 pages
ISBN-10: 0545417813
ISBN-13: 0545417813

Series or Standalone: Standalone

Literary Awards:
N/A

Themes: Family, Trust, Epidemics, Bioterrorism
POV: 3rd person
Tense: Present

Reviewer: Marisa

Where I Got It: Nick scored the DRC from NetGalley. I’m glad to find something in the thriller genre that doesn’t also touch on dystopia. Not that I dislike dystopia, but it’s nice to have a break now and again.

Cover Notes: Simple, but effective. It does follow the thriller dystopian trend of having a basic color and a symbol, but I would totally pick this up in a bookstore.

Soundtrack: I found my X-Files soundtrack perfect for this one.

Review:

This is a difficult book to review. It had many elements that I loved in isolation. The main character is a well-off black girl living in DC. There are shady operatives everywhere, and the plot is based on biology and epidemiology. The main character is coming to a realization that not everything is the way she thought it was, and that “perfect” is an illusion. I love all these things in a book, especially a YA book. But!

This book is smack-dab in the thriller genre, and so is basically every single trope, convention, and character archetype. There’s basically nothing seasoned thriller fans haven’t seen before. Seasoned romance readers will also be quite familiar with the way this book goes. For the most part, the pace was fast enough that I did’t stop to think about these things too hard, but when I did, the cracks showed pretty clearly. I’m sure many readers will say it’s just a consequence of the genre. For that reason, didn’t mark the book down in those areas as much as I might have otherwise.

Another issue I had with the book was the love interest. Coffee is a drug dealer. We first meet him snorting coke in the basement at a party. He seems like a nice dude. He claims drugs to him, especially his own personal formulas, are mind-expanders in his pursuit of enlightenment. But I dislike the fact that the cynic whistle-blower in these sort of books is always a criminal of soe sort. He also takes the role of the magical poor person, because of course all the rich folks are clueless or corrupt, and can’t see past their selfish goals. It’s quite a “teenage rebellion” cliche with all the tropes, including the “perfect”, popular boyfriend who’s going places, that everyone knows the MC would be perfect with, pitted against the bad boy loner with a few good friends who’s so “real”, and “bad” for her supposed goals. Again, this could just be my personal preference. Plenty of books with similar romance plots have sold very well, so I didn’t mark the book down too much for this.

The plot itself is quite tight, and has few holes. It’s no particularly creative, but the writer has a great sense of pacing, and you’ll keep turning the pages. You can see most of the twists coming, but at least they make sense for the most part. There were a few times when the book was confusing, such as when it would switch to first person seemingly randomly. I think it was a narrative device the author was trying out. I don’t think it worked too well.

The main character, Bird, has a good teenage voice. That’s an important aspect of a good YA novel, and Johnson has it nailed down. The fact that she is black comes across very clearly. I didn’t find myself falling into the default white MC trap. She responded mostly realistically to the various revelations, and she had that teenage flip-flopping/back-and-forth thing going on, especially in her romantic life. There was strong but realistic peer-pressure. She didn’t come across as whiny or immature. This was one of the more positive aspects of Johnson’s writing.

I found this book pretty average. I’m writing this review a few weeks after finishing the book, and I had to remind myself of a few things. But I would definitely pick up another book by this author, assuming the back cover sounded good.

Conclusion: 74/100 (Mildly entertaining, but not fantastic)
Premise: 6/10 (Standard thriller premise)
Plot: 8/10 (Well-constructed but not very original)
Setting: 7/10 (Could have been anywhere, really)
Main Character: 8/10 (Good concept, decent execution)
Romance sub-plot: 6/10 (Cliche, but decently written)
Love Interest: 7/10 (Not a fan of the noble badboy trope)
Supporting Characters: 7/10 (Standard thriller cliches)
Writing: 4/5 (Not bad enough to make me stumble)
Voice: 4/5 (Good when not confusing)
Themes: 7/10 (Fairly cliche approach)
Resolution: 8/10 (Nice twist)

Buy Or Borrow: Definitely worth a buy, if you like thrillers or conspiracies

Similar Books:
There are a surprisingly small number of YA thrillers that don’t strongly overlap with another genre such as dystopia or speculative fiction. I might update this section as I run across more.

Other Reviews:
GoodReads
Publishers Weekly
Kirkus Reviews
Lit Up Review
Teen Librarian Toolbox
YA Books Central
Dreams in Tandem

Buy Links:
Amazon
Barnes and Noble
IndieBound

E-Books:
iBooks
Kindle UK Not currently available
Kindle US
Kobo
Google Play
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Book Review: Young Adult: Afterworlds by Scott Westerfeld

Afterworlds Cover

Darcy Patel has put college and everything else on hold to publish her teen novel, Afterworlds. Arriving in New York with no apartment or friends she wonders whether she’s made the right decision until she falls in with a crowd of other seasoned and fledgling writers who take her under their wings…

Told in alternating chapters is Darcy’s novel, a suspenseful thriller about Lizzie, a teen who slips into the ‘Afterworld’ to survive a terrorist attack. But the Afterworld is a place between the living and the dead and as Lizzie drifts between our world and that of the Afterworld, she discovers that many unsolved – and terrifying – stories need to be reconciled. And when a new threat resurfaces, Lizzie learns her special gifts may not be enough to protect those she loves and cares about most.

Title: Afterworlds
Author: Scott Westerfeld
Category: Young Adult/New Adult
Genre: Literary Fiction/Paranormal
Publisher: Simon Pulse
Publication Date: September 23, 2014
Format: Paperback ARC
Length: 599 pages
ISBN-10: 1481422340
ISBN-13: 9781481422345

Series or Standalone: Standalone

Literary Awards:
N/A

Themes: GLBTQ
POV: Alternating 3rd and 1st person
Tense: Past

Reviewer(s): Atsiko and Marisa

Where I Got It: Anyone who’s been following this blog for awhile may be wondering what I’m doing reviewing a Young Adult title. That’s supposed to be Nick and Marisa’s job. There happen to be some extenuating circumstances for this one. First, the only version of this book available on NetGalley is the UK edition from Simon and Schuster UK Children’s. I’m a huge Westerfeld fan, so I was very disappointed when Nick told me that. But then, conveniently, another friend of mine happened to stumble across a cache of ARCs for 2013-2015, and this was one of them. I asked Nick and Marisa if I could review this, and they said yes. I am a huge Westerfeld fan, so this made my year.

Review:

Atsiko

Another major reason I’m reviewing this book is that technically speaking, we agreed it’s a New Adult book. No offense to Westerfeld and his marketing campaign. Plenty of gap year books exist in YA. Plenty of teenagers hang out with older folks. And it does have a first love. However, the plot and themes of one of the two interlocking stories felt strongly NA to us. Again, that would still be in Marisa’s ballpark normally, especially as the other half is somewhat of a paranormal romance. But for scheduling reasons and because it there’s a strong fantasy element to the main character’s novel, so much so that it really blurs the line between PR and Urban Fantasy. I promise all this is actually relevant to my review.

How? Because this book was something of a disappointment to me. And also to Marisa. You may have noticed we’re sharing the “Reviewer” spot here. This will be a joint review, something we figured we might as well try, since it’s a group blog anyway.

Marisa

Hey, guys. Welcome to the first joint review on Notes from the Dark! As you may know, I’ve been looking for some NA books that aren’t pure romance. I don’t mind romance sometimes, but as a college student and thus a New Adult, I think the category has so much more to offer than just a hot steamy romance. I had high hopes for this book. As Atsiko mentioned, we agreed it had many elements of NA in our opinion. And despite having romance as a major element in both stories lines, that wasn’t the only part of part of it. I wouldn’t call it a true romance novel. To me, it’s literary fiction, one of my other loves in literature. I found a lot to like in this book, but there was a lot I think could have been better. Since Atsiko has previously blogged about cultural appropriation in YA fantasy and literature in general, I’m going to let him handle the story-within-a-story part, while I deal with Darcy’s part of the book. Then at the end, we’ll both share our conclusions together.

Atsiko

Despite being billed a single novel, this book is really two books in one. There’s not a great deal of interaction between the two story-lines. I’m rather disappointed, since there could have been quite a bit. I kind of wish we had been treated to Lizzie’s story in draft(s) form, rather than as a final copy, since it removes some of the suspense in Darcy’s story, and takes out some really cool narrative and thematic possibilities. If you separated the two stories, there wouldn’t be many clues to show you had done so. For something as much of a trope as a writer writing about a writer, I was hoping for something more from a writer of Westerfeld’s caliber.

Lizzie’s story, about a girl who survives a terrorist attack by fleeing to the afterlife and becoming something of a reaper/psychopomp(guide to the afterlife), is actually a fairly decent paranormal romance/urban fantasy on its own. It’s got a fun premise, contains some lovely and uncommon (in PR and much UF) horror elements, and is fairly dark in some ways. I would have loved to read that book, written as a standalone and self-contained novel by Westerfeld. I won’t spoil it, but the villain was cool, the love interest more original than your average vampire, and the paranormal aspects an old trope with a new twist.

I wouldn’t read Lizzie’s half as a true paranormal romance. Romance readers will understand that warning once they finish the book. But it had some decent tension even if it wasn’t as “swoon-worthy” as something by Stephanie Perkins.

Marisa

I really loved Darcy’s part of this story. Aside from our concerns about target audience appropriateness, I thought it was a nice light YA/NA romance. There were some interesting issues with Darcy’s relationship. Some people might find certain elements uncomfortable. Obviously some people don’t like same-sex or interracial relationships. There are some other factors I won’t spoil. I know other reviewers have felt Darcy was a bit clingy, but I don’t think it was gratuitous. There was decent reasoning behind her behavior, and it never descended into an unhealthy relationship. Especially for a first love kind of story, it felt pretty realistic. Darcy’s romance isn’t sweep you off your feet, either. It was more of a sweet, awkward style of love. I really liked it. When I do read romance, I tend not to prefer the insta-love type, or the aggressive partner type. If you do, just be warned. I think there’s still plenty to enjoy, even if it takes a more gen/lit fic approach to romance than a true romance novel.

I think Darcy was a good every-girl character, without being totally bland. She definitely reminds me of me and my friends at that age (four years ago), and how we approached our writing, although there’s some fun wish-fulfillment in that she actually has a publishing contract.

Atsiko

Stepping on Marisa’s toes a bit–with permission!–one of the themes of the book is literary inclusiveness and cultural appropriation. Several of Darcy’s writer friends make use of mythos outside their own ethnic heritages, including native Australian mythology. Darcy herself writes within her own Indian heritage, using a character from Vedic mythology. In one scene she asks her family about whether they feel she has done justice to the mythology or stepped on it. There were some insightful and pragmatic answers. Not everyone may agree with them. Personally, there were parts I liked, and parts I didn’t, but rather than spoil those scenes, I think readers should make up their own minds.

There’s also the fact that Westerfeld, a straight, white, cis male author wrote Darcy’s story itself, the story of a lesbian Indian girl. As someone who is not Indian either, I thought Westerfeld managed a respectful balance, getting his facts mostly straight and making some good points on the issue of cultural appropriation. I can’t give him a 100% pass, of course, since I’m sure he did more research and fact-checking than I could do for this review. But I’ve seen no complaints from readers about his handling of the issue, either. If there are problems, I’d love to hear about them. There were a few small connections between the the writing of Lizzie’s story and Darcy’s story, and I thought they were interesting twists. One of the medium twists in the novel involves an incident that both stories shared versions of, and I think Westerfeld made some cool comments about being a writer with it. But I still wish there had been more of an interplay.

Marisa

I happen to be a white cis straight girl, so while I try to keep up with the latest in diversity in literature and respecting other cultures, I can’t verify the accuracy of Westerfeld’s portrayal of Darcy. I can say that I found Lizzie quite realistic and relatable. Darcy seemed like a pretty reasonable character outside of my previous caveat. I liked her and felt I could relate to her.

Atsiko

There are elements of a send-up or satire of the life of a writer in this book. I wonder if most readers would catch these, since they revolve around in-jokes and self-deprecation on the part of Darcy and her writer friends. I think that sharing the writing life with YA readers might have been better accomplished if the book hadn’t split it’s focus so much. I’m sure others will disagree. A variety of tastes is what keeps the fiction market interesting.

Marisa

Much like Atsiko, (and Nick), I’m something of an aspiring writer. I’m an English major, and I read… a lot. So I really enjoyed Westerfeld’s scenes on the issues of writing. I don’t know what the average YA reader’s experience with writing and publishing is. Maybe they’ll totally get all the jokes. “Publishers Brunch”, for example. Revisions. Writer parties. I’m not a hundred percent sure I agree it’s satire of publishing, and with that in mind I did find what I felt were some annoying cliches. Again, that’s to the individual reader’s taste.

There is something we talked about among ourselves that I’m going to take the lead on. There are obviously drinks at these parties, since the majority of authors are of age. Both Atsiko and I were a little uncomfortable with the characters’ willingness to flout the law with regards to alcohol consumption. Casually handing a beer to a minor, no matter how you feel about drinking laws or the idea that teens drink anyway, why be so uptight? It bothers me. Other readers may disagree. I don’t believe YA writers have some sort of moral responsibility to their readers, or to support the law as written with no room for disagreement. But still.

Together

Overall, we both felt it was a decent book. Certainly no complaints that it got published. There were some issues we had, and to an extent they did detract from our enjoyment of the book. And it’s quite a long book. Our ARC was 599 pages, and the published version is listed as 608. That’s a lot for a YA novel. But we don’t regret reading it. We didn’t struggle to get through it. It didn’t blow us away, but we liked it. Perhaps that’s not a ringing endorsement. But no book is perfect. We’re still giving this book the equivalent of 3 and a half stars.

Marisa

Conclusion: 77/100 (A solid piece, but not fantastic)
Premise: 7/10 (Fun, but could have been done better)
Plot: 8/10 (No major issues for me)
Setting: 9/10 (Felt like I was there)
Main Character(s): 8/10 (Loved Darcy, Lizze made sense in context)
World-building 7/10 (Good, but could have been better)
Romance Plot(s): 8/10 (Fun but not very original)
Supporting Characters: 6/10 (Nothing great)
Writing: 8/10 (Well-written)
Themes: 8/10 (Thoroughly addressed)
Resolution: 8/10 (I like this kind of ending)

Atsiko

Conclusion: 70/100 (Needed more editing)
Premise: 6/10 (Writers writing about writers/writing is not my thing)
Plot: 7/10 (Like Lizzie’s, Darcy’s could have been better)
Setting: 8/10 (Well-depicted)
Main Character(s): 7/10 (Mostly liked ‘em)
World-building: 7/10 (Not bad)
Romance Plot(s): 7/10 (Standard issue)
Supporting Characters: 5/10 (Needed more)
Writing: 8/10 (Good, not brilliant)
Themes: 8/10 (With 600 pages, could have been better examined)
Resolution: 7/10 (Didn’t hate it)

Buy Or Borrow: If you’re looking for NA without a primary romantic element, buy this. If you like litfic and stories about writers, buy it. Otherwise, it might be better to borrow.

Similar Books:
There aren’t any, but we wish there were.

Nick

An administrative note! Due to school issues, Marisa’s review of Love is the Drug will be slightly delayed. This review, being a joint review, was written well in advance. We apologize for this. It shouldn’t be a common occurrence.

Further, to avoid over-posting, my review of Dead Zone may also be a bit late. However, all late reviews will be out by Sunday, and then we will be back to our regular review schedule.

Other Reviews:
GoodReads
Publishers Weekly
Kirkus Reviews
Good Books and Good Wine
Proud Book Nerd
Reading Lark
cuddlebuggery

Buy Links:
Amazon
Barnes and Noble
IndieBound

E-Books:
iBooks
Kindle UK
Kindle US
Kobo
Google Play
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Book Review: Adult Science Fiction: Yesterday’s Kin by Nancy Kress

Yesterday's Kin Cover

Aliens have landed in New York. After several months of no explanations, they finally reveal the reason for their arrival. The news is not good.

Geneticist Marianne Jenner is having a career breakthrough, yet her family is tearing itself apart. Her children Elizabeth and Ryan constantly bicker, agreeing only that an alien conspiracy is in play. Her youngest, Noah, is addicted to a drug that keeps temporarily changing his identity. The Jenner family could not be further apart. But between the four of them, the course of human history will be forever altered.

Earth’s most elite scientists have ten months to prevent a disaster—and not everyone is willing to wait.

Title: Yesterday’s Kin
Author: Nancy Kress
Category: Adult Fiction
Genre: Near-Future Science Fiction
Publisher: Tachyon Publications
Publication Date: September 9, 2014
Format: Digital Review Copy via NetGalley
Length: 115 pages
ISBN-10: 1616961759
ISBN-13: 9781616961756

Series or Standalone: Standalone

Literary Awards:
N/A

Themes: Family, Panspermia
POV: Multiple Third Person
Tense: Past

Reviewer: Atsiko Ureni

Where I Got It: Nick got a DRC from NetGalley which I was happy to review, since I’ve not had the chance to tackle this author before.

Review:

Yesterday’s Kin is a story of alien contact. Unlike many, it is not a war story, or about alien technology. I find that incredibly refreshing. I wish there was more near-future SF out there like this. It’s much more about the characters’ personal issue: for example, the fragmenting family to which both narrators belong. There was also some nice stuff about how people frame extraordinary events. The alien contact, in particular. Kress generally writes things that are closer to soft science fiction, and this book is no exception.

Something else I really enjoyed was the aliens. They had a very interesting focus in terms of what they valued. It was both understandable to humans and yet very few humans really share the values themselves. Instead of being ravenous world-conquering insects, these aliens were both human and inhuman in a way that involved positive values and yet creates a sense of discomfort in the reader. They’re sort of the “uncanny valley” of human values as opposed to appearance.

The book itself is fairly short, being more of a novella, so there’s not as much to analyse without getting into major spoilers. Suffice it to say the book had a nice twist ending that, although I saw it coming before it actually happened, wasn’t completely obvious from the beginning of the book, and did not involve any major plot-holes or deus ex machina. I was slightly annoyed at how it affected the stakes for the human characters, but overall I was okay with it. And I think most other readers would be, too.

Definitely pick this up if you enjoy soft science fiction. Also, if you mainly read short stories, or just like reading them at all, this book is a bit reminiscent of one, in a good way.

Conclusion: 81/100 (Overall, a great book)
Premise: 9/10 (Been done, but a nice variant)
Plot: 9/10 (No plots holes, nice if not uncommon twist)
Setting: 8/10 (Well-depicted, but so common it’s hard to be unique)
Main Character(s): 8/10 (Two everyday people with believable motivations)
Aliens 9/10 (Not unique, but quite interesting)
Science: 7/10 (Well-founded, if slight)
Supporting Characters: 8/10 (Thinly sketched, but well done)
Writing: 8/10 (As good as you’d expect from this author)
Themes: 7/10 (Appropriate but not incredibly engaging)
Resolution: 8/10 (Interesting but could have been better)

Buy Or Borrow: Definitely worth owning a copy.

Similar Books:
Childhood’s End by Arthur C. Clarke
Contact by Carl Sagan

Other Reviews:
GoodReads
Publishers Weekly
John’s Notes
SFFWorld
Nerds in Babeland
Armed and Dangerous
Read What I Like

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Barnes and Noble
IndieBound

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Book Review: Young Adult: Jackaby by William Ritter

Jackaby Cover

Jackaby sighed and drew to a stop as we reached the corner of another cobbled street. He turned and looked at me with pursed lips. “Let’s see,” he said at last. “I observed you were recently from the Ukraine. A young domovyk has nestled in the brim of your hat. More recently, you seem to have picked up a Klabautermann, a kind of German kobold attracted to minerals. Most fairy creatures can’t touch the stuff. That’s probably why your poor domovyk nestled in so deep.”

Newly arrived in New Fiddleham, New England, 1892, and in need of a job, Abigail Rook meets R. F. Jackaby, an investigator of the unexplained with a keen eye for the extraordinary–including the ability to see supernatural beings. Abigail has a gift for noticing ordinary but important details, which makes her perfect for the position of Jackaby’s assistant. On her first day, Abigail finds herself in the midst of a thrilling case: A serial killer is on the loose. The police are convinced it’s an ordinary villain, but Jackaby is certain it’s a nonhuman creature, whose existence the police–with the exception of a handsome young detective named Charlie Cane–deny.

Title: Jackaby
Author: William Ritter
Category: Young Adult
Genre: Mystery/Paranormal
Publisher: Algonquin Young Readers
Publication Date: September 16, 2014
Format: NetGalley DRC
Length: 305 pages
ISBN-10: 1616203536
ISBN-13: 9781616203535

Series or Standalone: Standalone (as of now)

Literary Awards:
N/A

Themes: Independence
POV: 1st Person
Tense: Past

Reviewer: Nick Morgan

Where I Got It: A digital ARC from NetGalley. I’ve been looking for good paranormal YA similar to The Monstrumologist, and this seemed like it fit the bill. Calling it “Doctor Who meets Sherlock” is a bit of a big fat fib, and sort of does a disservice to the book.

Review:

I’m a bit on the fence about this book. The WhoLock comparison had my hopes higher than they might have been otherwise. I don’t think the book really lives up to that. Rather, it’s a combination of some of the more common cliches of the mystery and weird/paranormal genres. Not necessarily in a bad way, but I think the WhoLock claim stems from a bit of a misrepresentation. It’s not that it’s incredibly similar to WhoLock, it’s that they both draw from the same venerable traditions.

However, this book is like WhoLock in that it relies strongly on its characters to carry the story. And they do a pretty good job. Abigail Rook, our teen girl protag is a very nice female character. I won’t insult her by calling her “feisty”. Instead, she’s strong-willed and very down-to-earth. She’s a great balance for Jackaby’s eccentricity, and it’s quite believable that he finds her useful to counter some of his absent-mindedness. But rather than a Doctor/Companion or Holmes/Watson relationship, it’s just a general funny guy/straight man buddy cop relationship. THen we have a certain police officer. I liked his character quite a bit, although it sometimes seemed a little to convenient how he assisted the main characters in moving the plot along. There’s no major romance angle in this book, but he and Abigail do have a certain chemistry.

The villain in the book is quite fun, as well. And he has a reasonable motivation for his actions. Further, for the first half of the book, you’d never suspect him, although somewhere aaround the halfway mark I did figure him out, and I was then stuck with that annoying feeling of knowing the answer while the characters are still struggling along. A really good mystery can put that feeling off without it seeming like the author used cheap tricks. Jackaby is a good mystery certainly, but not a really good mystery by that criterion.

One the thing the author does quite well is mimic the atmosphere of an early Holmes or Christie mystery. I loved the sort of foggy pre-electricity feeling I got from the book. It’s more of an homage than a cliche-fest in my mind. Definitely the best part of the book. The paranormal elements play right into it, and you almost get a sort of Jack the Ripper feel from this novel. In a very positive way. All the paranormal elements are quite well-researched.

Overall, I enjoyed reading this book. It’s not a literary masterpiece, but it’s a good book that both adults, middle-grade readers, and young adult readers will definitely appreciate. Assuming the like the genre, of course. (I interpret this book as YA, but it might be considered upper MG.)

Conclusion: 77/100 (A nice read)
Premise: 7/10 (Seen it before, but handled okay)
Plot: 8/10 (Not bad)
Setting: 9/10 (The old-time small town atmosphere was great)
Main Character: 8/10 (Not a stand-out character, but I really liked her spunk)
World-building 8/10 (Really felt a sense of the town and the world around it)
Mystery: 7/10 (I figured out the culprit early, only Jackaby could guess the type of creature)
Supporting Characters: 8/10 (Loved the characters Jackaby collects around him)
Writing: 7/10 (Not bad, but not brilliant)
Themes: 8/10 (Well-done)
Resolution: 7/10 (Made sense, but a bit too neat)

Buy Or Borrow: Worth buying if you like the genre, otherwise it might not hurt to borrow it from the library

Similar Books:
The Monstrumologist by Rick Yancey

Other Reviews:
GoodReads
Publishers Weekly
Kirkus Reviews
Stephanie’s Book Reviews
Good Books and Good Wine
There Were Books Involved…
Jenny Blenk Reviews

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Book Review: New Adult: The Vampires of Manhattan by Melissa de la Cruz

Blue Bloods Cover

Hero of this sexy, paranormal action tale is Oliver Hazard-Perry, former human conduit, and Manhattan’s only human-turned-vampire, now the head of the Blue Bloods Coven. When his all-too-human lover is found murdered on the eve of the coven’s annual Four Hundred Ball–a celebration meant to usher in a new era in vampire society, and to mark the re-unification of the Coven after decades of unrest and decay–Oliver is devastated.

Now, not only is he trying to create a new world order for the immortal elite, he’s the prime suspect and is stalked by the newly installed head of the vampire secret police. Because according to the new rules, vampires who take human life can now be executed. Burned.

How can an immortal sentenced to die fight back? He has to find the killer–and the answers lie deep in vampire lore.

Title: Blue Bloods
Author: Melissa de la Cruz
Category: New Adult
Genre: Paranormal Romance
Publisher: Hyperion
Publication Date: September 9, 2014
Format: Paperback ARC
Length: 225 pages
ISBN-10: 0786838922
ISBN-13: 9780786838929

Series or Standalone: Vampires of Manhattan #1

Literary Awards:
N/A

Themes: Vampires
POV: Multiple 3rd Person
Tense: Past

Reviewer: Marisa

Where I Got It: A friend of Atsiko’s managed to score a brace of YA and NA ARCs donated to a book fair by a distributor. I’ve been actively seeking New Adult titles to read, and a trade published series by a well-known author seemed like a great place to start, although I’ve never read the original YA series.

Review:

I picked this up because of a desire to read New Adult in general, not UF/PR or a Blue Bloods continuation particular. So that might color my review a bit.

The book was okay, and after the first half I didn’t have trouble turning the page, but it wasn’t particularly engaging, and the first half seemed like a lot of set-up for how the lives of the characters have changed from when the original series ended ten story years ago. Personally, I don’t accept that as an excuse. A really good book, especially the first in a new series, should not have to trade on the reputation of any predecessors. And it’s not like the book didn’t have words to burn on such a thing; it was fairly short.

With similar caveats, I didn’t find the characters particularly engaging. Or maybe this time it’s because I don’t find the rampant materialism of the upper classes interesting on a surface level. Either way, they seemed like fairly staandard PR/UF characters with little uniqueness to recommend them over other similar main characters in other series. There seemed to be a lot of sex and a lot of ruminating going on, and as I hadn’t read the original series, I didn’t feel pulled into that aspect either. The plot for the first half of the story was barely there, kind of humdrum, and not engaging.

In the second half, I think I had a better grasp of the characters, there were fewer references to the previous series, and the plot had finally got going somewhat. It wasn’t by any means approaching the top half of my enjoyable books list, but it wasn’t slogging through the dross anymore, either. By the end, I was still not impressed. It was a short book, and I don’t think I lost too much of my time reading it, but I would not personally pick up the next book.

I would recommend it to UF/PR readers and Blue Bloods fans looking for a quick fix, but I wouldn’t recomment it to anyone who hasn’t read the author and who doesn’t read a great deal in those genres.

Conclusion: 65/100 (Decent if you like the genre and read the originals)
Premise: 6/10 (Pretty cliche)
Plot: 7/10 (Was okay if quite confusing at first)
Setting: 8/10 (Well-realized)
Main Character(s): 7/10 (Okay, but not great)
Romance: 6/10 (Maybe if you’ve read the original series, but otherwise not interesting)
World-building: 7/10 (Understandable even to a newbie, but a bit cliche)
Supporting Characters: 6/10 (Decent, but not fantastic)
Writing: 6/10 (Competent, but could have been better)
Themes: 6/10 (There aren’t many clear ones, and I didn’t feel them very strongly)
Resolution: 6/10 (Major cliffhanger)

Buy Or Borrow: I’d say borrow, but it may be because paranormal isn’t my favorite genre. If you like it or liked the original series, this is probably worth the money.

Similar Books:
Not many, since YA hasn’t really taken off yet. But the original YA series, Bluebloods, or even Anne Rice’s Lestat books might be a good follow-up if you haven’t read them already.

Other Reviews:
GoodReads
Publishers Weekly
Karen’s Addictions
My Friends Are Fiction

Buy Links:
Amazon Currently unavailable
Barnes and Noble
IndieBound

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