Book Review: Young Adult: The Abyss Surrounds Us by Emily Skrutskie

The Abyss Surrounds Us cover

Cas has fought pirates her entire life. But can she survive living among them?

For Cassandra Leung, bossing around sea monsters is just the family business. She’s been a Reckoner trainer-in-training ever since she could walk, raising the genetically-engineered beasts to defend ships as they cross the pirate-infested NeoPacific. But when the pirate queen Santa Elena swoops in on Cas’s first solo mission and snatches her from the bloodstained decks, Cas’s dream of being a full-time trainer seems dead in the water.

There’s no time to mourn. Waiting for her on the pirate ship is an unhatched Reckoner pup. Santa Elena wants to take back the seas with a monster of her own, and she needs a proper trainer to do it. She orders Cas to raise the pup, make sure he imprints on her ship, and, when the time comes, teach him to fight for the pirates. If Cas fails, her blood will be the next to paint the sea.

Title: The Abyss Surrounds Us
Author: Emily Skrutskie, Twitter
Category: Young Adult
Genre: Post-apocalyptic SF
Publisher: Flux, Twitter
Publication Date: February 8, 2016
Format: Paperback
Length: 273 pages
ISBN-10: 0738746916
ISBN-13: 9780738746913

Series or Standalone: The Abyss Surrounds Us #1

Literary Awards: N/A

Themes: QUILTBAG, Romance, Pirates, climate science fiction
POV: 1st Person Singular
Tense: Present

Reviewer: Marisa Greene

Where I Got It: Recced by a friend

Cover Notes:  Holy crap, guys.  Loved this cover!  Normally I’m not much for textured titles, but this just fit so well.  The light effects are a bit flashy for me, but they’re story related, so I’m dealing with it.

Review:  

There are good and bad things about this book.  I don’t love the first person present here.  It doesn’t feel like it serves the purpose I expect that set-up to serve.  The pacing doesn’t match it, mainly.  But I did like Cas’s voice, so that’s something, I guess.  I appreciated her snark in the face of adversity.  I wish the main characters were fleshed out a bit more, too.  Like, I get Swift is the mysterious stranger.  But I could have done with a bit more personality.

Now, the premise of the book is fantastic.  War leviathans?  Sign me up.  Also, the romance angle.  Although the execution was a bit lacking in this book, there’s a sequel.  It gets better, I think.  I should take now to mention I’ve already read the sequel.  A lot of stuff makes more sense, and more plot lines get tied up or at least explored, if you read the sequel.  It’s basically one story rather than two sequential stories.  I could still wish some things developed faster, but that’s how this structure works.

Although I liked Cas’s voice, I wish her character had been a bit less bland.  Besides her Reckoner training training, there’s not a ton to the character.  Perhaps it’s because the action/adventure part started so early.  But I would have liked more understanding of her relationship to her family.  More about who she was besides being a trainer in training.  I think this lack of development hurts her character in this book and the sequel.  It’s a lot more interesting for me when someone has to make tough decisions if I feel I know enough about them to justify both the internal conflict and their choice.

One of the main things I liked about this book was that Cas was both not white and not straight.  The sexual orientation aspect was really well handled, to me.  Not preaching, judging, ham-handedness.  But she seems so bland it’s hard to see any influence from her Asian heritage.  Maybe that’s how it should be.  Either way, it’s nice to see some diversity.

The setting for this story is pretty important.  It’s something of a climate science fiction story, with rising water levels and the break-up of big countries into smaller political units.  Thus the need for the Reckoners.  Although it’s only vaguely sketched out in the book, I think it works well as a backdrop, and there’s nothing that makes you feel like it’s a cheap gimmick.  It informs the attitudes of both the privileged “shore” people with national citizenship, and the nation-less “pirates”.

The supporting characters here, especially as you read the sequel, are very neatly-drawn.  Although the main villain in the first book is a bit one-note, banging the cruel manipulation drum non-stop, the rest of the “bad” characters have some nice nuance to them, which is something you don’t always see in these sorts of stories.

Because it’s the first of a duology, the conclusion leaves a bit to be desired, but it pays off by the end of the second book.  The only plot-hole was the whole trope of animals tasing human blood.  It was played up a lot by Cas, but in the end, as the SBTB review says, it didn’t seem to have much effect?

Finally, the romance angle was cool.  There’s a really fantastic scene where the concept of consent comes up.  You’ll know it when you see it.

Conclusion: 78/100 (Has its flaws, but totally worth it for the awesome sea monsters)
Premise: 10/10 (For awesome, even if the science is bullshit)
Plot: 7/10 (Pretty standard kidnapping story)
Setting: 8/10 (Could have been deeper but worked well)
Main Character: 7/10 (Pretty standard YA protag)
Orientation: 8/10 (No yuck, but little relevance?)
Romance: 8/10 (An extra point for dealing with consent issues)
Supporting Characters: 8/10 (Loved ’em)
Writing: 8/10 (Very smooth aside from the tense and perspective issues)
Themes: 7/10 (Standard but well-executed)
Resolution: 7/10 (First-book-itis)

Buy Or Borrow:  Buy or borrow, either one is a good choice here.

Similar Books:

Can’t think of any obvious similar books off the top of my head.  Paolo Bacigalupi’s Shipbreaker series, maybe?

Other Reviews:
GoodReads
Smart Bitches, Trashy Books
Kirkus Reviews
Publishers Weekly
Books, Bones, and Buffy
Rich in Color
The Lesbrary (major first-half spoilers!)

Buy Links:
Amazon
Barnes and Noble
IndieBound

E-Books:
iBooks
Kindle UK
Kindle US
Kobo
Google Play
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“13 Reasons Why Series” Review/Critique (with Spoilers)

I though up a couple cutesy titles for this post, but in the end I went with clarity.  I’m also not using our standard reviewing format, as this is less of an official review and more of a response to the criticism I’ve been seeing online lately for the Netflix series based on Jay Asher’s 2007 novel.  There’s a lot of it, and I found much of it to be either shallow or overly-positive.  13 Reasons Why is a great series.  It’s not perfect.  Besides the difficulties of translating a novel with such a unique structure to a narrative television show, the creators were also hit and miss with their narrative editions and their portrayal of the various topical issues.

 

First, I want to say that I really liked the shift in structure from one night to several weeks.  Spacing it out was great because it let the focus widen to show us more context.  And that context played into the themes I most enjoyed in the story.

 

The first such theme is often done, but rarely done well.  The unreliable narrator.  It’s powerful because it’s true to life and creates tension.  The places the narrator is unreliable can do a great deal of indirect characterization.  Many critiques mentioned Hannah as an unreliable narrator.  Even some specific examples were given, such as when she “lied” about Zach throwing away the note she sent him.  But with the hope that I haven’t read too much into things, I think that’s a mistaken criticism.  After all, Zach “showed” Clay the note,  but Clay himself had never seen the note, and even declined to take and read it.  There’s actually no proof one way or the other that Hannah lied.

Technically speaking, only Hannah and Clay are actually narrators.  But many of the other characters lied about what really happened.  Some were clearly in denial, while others had more rational motivations.  Jessica, for example, was possibly in denial or honestly didn’t remember what happened to her at the party.  Justin straight up lied about it for mostly self-serving reasons.  Courtney insisted almost to the bitter end that what Hannah said about her was a lie.  And in the beginning of the show, through Clay’s restricted point of view, many of these lies seemed quite plausible.  The counterpoint to an unreliable narrator is an ignorant one.

 

Given my real-life experience, both in middle and high school and the similar grounds of college, the show’s portrayal of this ambiguity is achingly true.  I’ve had quite similar experiences.  And that’s not limited to just the truth issue.  There’s also the excuses the characters give for their behavior, to others and to themselves.

There’s a very unsubtle scene near the end of the show where Justin explains why he lied to Jessica.  He makes a long speech about how much he owes Bryce.  While the execution was maybe a tad ham-fisted, the premise is absolutely brutally accurate.  Justin’s home-life and his need for both assistance and intimacy solidly ground his character and explain the majority of his actions without having to blame the idiot-ball or breaking character to serve the plot.  While it’s hard to sympathize with Justin due to his actions, I think the show left a lot of room for empathy.

The show also does a good job of showing various shades of peer pressure.  There’s a line that goes something like: “All the popular kids are mean.  That’s how they became popular.”  It sounds good, but I think there’s an unstated message in the show that more realistically captures how popularity works in younger social circles.  Alex’s plot-line for why he and Jessica broke up and for his place on Hannah’s list is a cliche.  It’s been done and done again: the guy lies about his “success” in getting laid to feel like part of the group, and in the process ruins the girl’s reputation.  There wasn’t anything particularly new and exciting about the portrayal of this arc in the show.  But we also saw several other similar situations involving the more popular male characters.  And it’s the combination of these various examples that I feel adds value to the show, as opposed to the one-note single instance portrayals that many other books and TV shows emphasize.

 

This contrast between the melodramatic, stereotypical examples of various social topics with the more understated versions is one of the general strengths of the show.  And though they are melodramatic, the examples at the high end of the scale aren’t false.  Bryce functions as the high end example of the sexually predatory untouchable jock archetype.  But while some of his actions may seem like he’s being used as a caricature, I’ve experienced or witnessed almost all of them multiple times in my own life.  He has a line from his confrontation with Clay where he talks about how girls play games and they all secretly want it, etc.  Then he asks if Clay is a virgin and tells him to go get laid a few times (or try) and then they can have a real talk about sex like adults.  A friend of mine once sent me a screencap of a guy on Facebook saying to him that he couldn’t talk about whether fucking drunk girls involved consent or not because he didn’t “know what it’s like to be an attractive white man and constantly have girls throwing themselves at you.”

 

In many ways, 13 Reasons Why is a very accurate portrayal of life in high school and by stretching a bit, in college.  It’s depressingly accurate, in fact.  And while everyone is going to have a different reaction to scenes of graphic violence such as the rape scenes and the suicide scene, I personally felt they added a great deal to the show and were not gratuitous.  The rapes were not titillating or fetishized as such scenes often can be.  They were violent and disturbing, and far less graphic than many articles criticizing them have suggested.  I would not be averse to having a sort of content warning  at the beginning of the relevant episodes.  Some basic text warning of the scenes and their general location in time, even.  But I think they deserve to be in the show.

Although there are some definite places where the show could have been better,  mostly in regards to whacking the reader over the head with the message, overall I think I’d give it 85/100.

 

~ Marisa Greene

Magical Realism Mondays: The Accident Season by Moira Fowley-Doyle

a girl falling upside-down

It’s the accident season, the same time every year. Bones break, skin tears, bruises bloom.

The accident season has been part of seventeen-year-old Cara’s life for as long as she can remember. Towards the end of October, foreshadowed by the deaths of many relatives before them, Cara’s family becomes inexplicably accident-prone. They banish knives to locked drawers, cover sharp table edges with padding, switch off electrical items – but injuries follow wherever they go, and the accident season becomes an ever-growing obsession and fear.

But why are they so cursed? And how can they break free?

Title: The Accident Season
Author: Moira Fowley-Doyle
Category: Young Adult
Genre: Magical Realism
Publisher: Transworld Publishers, Corgi Childrens’
Publication Date: August 18, 2015
Format: Paperback
Length: 280 pages
ISBN-10: 055257130X
ISBN-13: 9780552571302

Series or Standalone: Standalone

Literary Awards: N/A

Themes: Abuse, Family
POV: 1st person
Tense: present

Reviewer: Marisa Greene

 

Administrative Note from Nick:  Due to a WordPress post-scheduling error, this is the unfinished draft of this review.  The full, complete review will be up as soon as Marisa has a chance to log in and make corrections.  Thanks.

Note 2:  From Marisa: I’m so sorry, guys!  I don’t know what happened!  I like to get all the non-review stuff out of the way before I actually sit down to write the review and save it as a draft.  Somehow that draft got published instead of the real post, but it’s a hassle to delete this and fix all the links, so I’m just copying and pasting the review into this post.

Where I Got It: Loaned to me by Atsiko after I heard great recs for it. I love Magical Realism, so I was very excited when Atsiko offered to loan me this book.  The premise sounded real interesting.  The cover was beautiful, as I mention below.

Cover Notes: The cover was beautiful.  I wish I saw more covers like this in YA.  I like the out of focus look and the odd orientation.  The font is nice, too.

Review: 

The writing of this book is the kind people like to call atmospheric.  it really makes you feel like you imagine the characters feel.  Which is odd in a 1st person narrative, but really nifty.  The opening is a bit contemplative for my taste, I think.  Very introspective and a lot of what I’d call exposition.  I don’t necessarily love the main character, Cara’s voice.  it’s a bit bland for my taste, although you might argue that contrasts well with the magical side of magical realism.  It’s a lot easier to take seriously when described by such an every girl.  Whereas if her best friend, Bea, was the narrator, her wild world-view would ground the piece.  A re-write from Bea’s perspective could be very illuminating, though probably not worth it for the author or most readers.

To be honest, the major flaw with the narrator is that besides her ex-step-brother Sam, I find basically all of the other main characters more interesting.  While they are built from their own stereotypes, the author does a great job of making it seem like they have lives beyond the narrator.  They do things with each other that don’t involve Cara, and that they must know would even be hurtful to her.  In a lot of YA, there’s so much focus on the narrator or their antagonist or their LI, that the relationships between the secondary characters get underfed.  The side characters and their independence are definitely one of the strengths of this book.

The plot is not a fast-paced headlong rush of action.  Even some contemporary or magical realist stories insist on a fast pace with a few slow interludes.  But I think Accident Season does very well with the slow unfolding and a few quick scenes instead.  I also enjoyed how, like in Nova Ren Suma’s Imaginary Girls, the normal activities of teenagers function so well to drive the plot forward.  It never seemed like anything was forced to advance the plot.  That’s a rare trait in a lot of books, YA and Adult.

The conclusion was a bit disappointing for me, especially given how much I enjoyed the build-up.  It fit the Magical Realist pattern beautifully, but it seemed a bit too pat, especially in the romantic arcs.  It’s quite obvious in my eyes who Cara will end up with, but two of the side characters ended up together in the one seeming authorial intrusion in the novel.  And the implications of that coupling irritated me.  They seemed a bit sexist, I think.  And if that had to be the pairing, I would have preferred it to not work out, be a sort of a tragic miss or just a case of unfortunate circumstances.

While there’s nothing new or innovative in the underpinnings of this story, or how it worked out, I think the arrangement of pieces was very adept and satisfying.

The one thing I’m unsure about is the setting.  This could really have been set in any English-speaking place.  There wasn’t anything in particular that anchored the book in small-town Ireland, County Mayo.  It could as easily have been in the Midwestern or Northeastern US in the month October.  I was a bit disappointed by that.  Or maybe I just missed the clues?

The premise of the accident season, which I really should have touched on earlier given its titular role in the story was one of my favorite parts of the story.  Even as just a character superstition without the magical realist elements, I think it could have been a strong basis for a story, even this story.  It’s unique as a device in my experience, but it’s totally believable that a real person would think this way, and the author does nothing to ruin that effect.

Overall, this was a solid story with some really fun elements.  It sits in the middle of my list of favorite Magical Realism novels.  I look forward to further work by this author.

Conclusion: 76/100 (A good book, though not great)
Premise: 9/10 (Accident season: really cool and original)
Plot: 8/10 (Solid and few plot holes, if any)
Setting: 7/10 (Atmospheric and believable, though not rooted strongly in a specific real-world place)
Main Character: 7/10 (Not bad, but overshadowed by the side-characters)
Magical Realism: 9/10 (Beautifully balanced ambiguity between reality and whimsy)
Romance: 4/10 (Predictable and boring, even disappointing)
Supporting Characters: 9/10 (Well-drawn, independent actors)
Writing: 8/10 (Beautiful and served the story)
Themes: 8/10 (Not new, but very well-explored)
Resolution: 7/10 (Good parts and bad)

Buy Or Borrow:  It’s definitely worth buying if you’re a big fan of (YA) magical realism.  If you like to visit but not stay, maybe borrow it from a friend.

Similar Books:

Imaginary Girls by Nova Ren Suma
We Were Liars by E. Lockhart
Bone Gap by Laura Ruby
All Our Pretty Songs by Sarah McCarry

Interviews:

Writing.ie

Other Reviews:
GoodReads
Kirkus Reviews
TeenReads
The Book Smugglers (at Kirkus)
It Starts at Midnight
MuggleNet
Please Feed the Bookworm

Buy Links:
Amazon
Barnes and Noble
IndieBound

E-Books:
iBooks
Kindle UK
Kindle US
Kobo
Google Play
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Magical Realism Mondays

A popular new genre in YA fiction is that of Magical Realism.  There are various definitions, but it is essentially a literary genre in which the fantastic is presented as no more remarkable than the mundane.  Also referred to as fabulism or new fabulism, it generally consists one no more than a couple fantastic elements in an otherwise normal world, generally unexplained, though often with an alternative rationalist explanation not privileged over the fantastic by the author or even sometimes the characters.

 

As of this leap day, we will be instituting a new feature, Magical Realism Mondays, where on the first or second Monday of each month, Marisa will be reviewing, possibly with spoilers, a Magical Realist YA novel, beginning with  Moira Fowley-Doyle’s The Accident Season.  Spoiler alerts will be posted if necessary.

Regularly scheduled ARC and post-pub reviews will still be posted, just not on these day.

Book Review: Science Fiction: Lightless by C.A. Higgins

lightless cover

The deeply moving human drama of Gravity meets the nail-biting suspense of Alien in this riveting science fiction debut. With bold speculation informed by a degree in astrophysics, C. A. Higgins spins an unforgettable “locked spaceship” mystery guaranteed to catapult readers beyond their expectations—and into brilliantly thrilling new territory.

Serving aboard the Ananke, an experimental military spacecraft launched by the ruthless organization that rules Earth and its solar system, computer scientist Althea has established an intense emotional bond—not with any of her crewmates, but with the ship’s electronic systems, which speak more deeply to her analytical mind than human feelings do. But when a pair of fugitive terrorists gain access to the Ananke, Althea must draw upon her heart and soul for the strength to defend her beloved ship.

While one of the saboteurs remains at large somewhere on board, his captured partner—the enigmatic Ivan—may prove to be more dangerous. The perversely fascinating criminal whose silver tongue is his most effective weapon has long evaded the authorities’ most relentless surveillance—and kept the truth about his methods and motives well hidden.

As the ship’s systems begin to malfunction and the claustrophobic atmosphere is increasingly poisoned by distrust and suspicion, it falls to Althea to penetrate the prisoner’s layers of intrigue and deception before all is lost. But when the true nature of Ivan’s mission is exposed, it will change Althea forever—if it doesn’t kill her first.

Title: Lightless
Author: C.A. Higgins
Category: Adult Fiction
Genre: Science Fiction
Publisher: Del Rey Spectra
Publication Date: September 29, 2015
Format: eARC from NetGalley
Length: 239 pages
ISBN-10: 0553394428
ISBN-13: 9780553394429

Series or Standalone: Lightless #1

Literary Awards: N/A

Themes: Machine Intelligence, Dystopia, Autocracy, Betrayal, Rebellion
POV: 3rd Person Limited
Tense: Past

Reviewer: Atsiko Ureni

Where I Got It:  Stumbled across it on NetGalley, seemed interesting.

Review:  While the book was readable and interesting with nothing else on my plate, it failed to make a strong showing in three major areas:

1. Characters:

The characters were all fairly standard science fiction archetypes in my mind–the tech nerd in love with her machine; the autocratic, sociopathic interrogator; the loyal captain lacking in agency; the wacky computer;  the wily rogue.  I didn’t particularly care for any of these characters, and while I liked the conflict between their internal motivations on paper, the characters don’t quite seem to make them 3d.  They didn’t stand out from their archetypes, or from the page.

2. Science:

The scientific principles involved, especially the use of entropy, had the potential to be very interesting.  However, the execution was lacking.  What could have been neat and exciting came across as either dull or science babble, and wasn’t as deeply exploded as I would have liked.

3. Plot:

A very standard plot, borrowing a bit from police procedurals.  There’s just not a lot of excitement here, and the plot twists are not foreshadowed in such as way as to give the reader any hope of predicting them.  We were not deep enough into any individual’s perspective to justify these sudden twists, and the author could easily have given the reader more clues without making the characters look dumb.

 

Overall, I found the book readable, but I’m glad I got an ARC instead of buying the book.  It’s not something I’d keep in my collection long-term, and while it’s quite good enough to be published, it’s nothing new or amazing.

 

Conclusion: 62/100 (Competent but uninspiring)
Premise: 6/10 (Seen it before, and better, but reasonably-handled and a unique spin)
Plot: 7/10 (Few plotholes, but been done many times before)
Setting: 6/10 (Poorly-explored, but could have been interesting with more elaboration)
Main Character: 6/10 (All characters are standard SFF cliches)
World-building: 7/10 (Interesting, though not thoroughly explored)
Antagonist: 7/10 (Well-constructed, don’t see nearly enough of them)
Supporting Characters: 6/10 (All characters are standard SFF cliches)
Writing: 7/10 (Well-written in some places, poorly in others)
Themes: 5/10 (Interesting in some cases, but poorly explored and cliche)
Resolution: 5/10 (Un-creative and poorly-constructed)

Buy Or Borrow: Definitely get this one from the library if it’s your kind of story.

Similar Books:

Other Reviews:
GoodReads
Kirkus Reviews
New York Times
Tech Times
Dark Futures
RT Book Reviews
YA Books Central

Buy Links:
Amazon
Barnes and Noble
IndieBound

E-Books:
iBooks
Kindle UK
Kindle US
Kobo
Google Play
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Book Review: Young Adult: The Harvest by Chuck Wendig

The Harvest cover

It’s been a year since the Saranyu flotilla fell from the sky, and life in the Heartland has changed. Gone are the Obligations and the Harvest Home festivals. In their place is a spate of dead towns, the former inhabitants forced into mechanical bodies to serve the Empyrean—and crush the Heartland.

When Cael awakens from a Blightborn sleep, miles away from the world he remembers, he sets out across the Heartland to gather his friends for one last mission. As the mechanicals, a war flotilla, and a pack of feral Empyrean girls begin to close in on the Heartland, there isn’t much time to make their next move. But if they can uncover a secret weapon in time, Cael and his friends might just find themselves with the power to save the world—or destroy it—resting in their hands.

Title: The Harvest
Author: Chuck Wendig
Category: Young Adult
Genre: Dystopian/Near-future SF
Publisher: Skyscape
Publication Date: July 14, 2015
Format: DRC
Length: 437 pages
ISBN-10: 1477830022
ISBN-13: 9781477830024

Series or Standalone: The Heartland Trilogy #3

Literary Awards: N/A

Themes: Power Corrupts, Evil for Evil, Family
POV: Third Person, Multiple POVs
Tense: Present

Reviewer: Nick Morgan

Where I Got It: A digital ARC from NetGalley.  Since I reviewed the second book, I figured I might as well see what’s changed.

Review:

(The first thing I want to say is, normally I leave cover commentary to Marisa, but the whole set of covers for this series were fantastic.  The whole design, even.  I really enjoyed the visual look of the series.)

There were a lot of things to love about this book.  The supporting cast is complex and well-drawn.  They have goals beyond helping the protag do whatever he’s doing.  The villain was lovely.  Sort of a secret, but worked brilliantly with the themes of the book without sacrificing narrative consistency.  You can totally believe all the characters’ motivations while simultaneously seeing the trainwreck they are leading up to.  Cael’s opponent and allies all have their own goals, and are often blind to each other’s understanding of the world.  The Empyrean are more than just villains or dupes.  They may not care much about the Heartlanders, but they care a lot about each other.  It’s rare to see characters reflect the way that everyone is the hero of their own story and has their own narrative through which they view the world.

You learn a great deal about the world of the story that was always in the background but unknown to the readers and characters.  As usual, Wendig’s world-building is beautiful.  Not only is it rich without info-dumping, but it really draws you into the setting.  In so many ways, it seems like it could be real.  Many fantasy and science fiction authors don’t and will probably never have the ability to create a world that seems like it exists beyond the confines of the story.

Unsurprisingly, there’s a MacGuffin in the book.  But it’s a beautiful one.  It does so much more than just provide a quest object for Cael and his enemies to fight over. It reveals things about many of the supporting characters, the way the world of the Heartland is built and functions, and to what lengths the main characters are willing to go to achieve their goals.

The book also has another SFF staple: the Epilogue.  Personally, I felt this one was a bit more of an easy hook to leave space for writing other stories set in Wendig’s world.  I don’t think it was necessary for the story told in this novel.

The themes of the novel, and the series, are both clear but not ham-fisted.  The events of the story just naturally seem to support them.  The structure of the novel just fits these things in so well.

But, as a book, I didn’t enjoy it as much as I could have.  I was constantly putting the book down at the slightest opportunity.  And it was often hard to make myself pick it back up.  I admire Wendig’s skills as a writer in a lot of areas.  But novel pacing is not very high among them.  There was far too much down-time, often unnecessary.  Then all the action would be packed into tiny little bits of the book.  Perhaps that lack of focus was the thing that allowed Wendig to do all the things I loved in this book.  But as strictly a reader, it made it hard to keep reading.

I’m just waiting for Wendig to take all the things he does so well and tie them in with a well-paced story that keeps me reading.  From a writer’s standpoint, this book was incredibly interesting as something to analyze for craft, but as a novel, it was eminently put-down-able.  That may seem odd given the score I gave it.  But I know I have a bit of an odd view on what makes a good book, and I think many readers will have an easier time keeping their eyes on the page than I.

Conclusion: 80/100 (Lovely in its parts, quite flawed as a whole)
Premise: 9/10 (As nifty as it was in the first book)
Plot: 7/10 (Some cool twists, but nothing brilliant)
Setting: 10/10 (As usual, Wendig delivers)
Main Character: 6/10 (Kinda dull, also a douche)
The Villain: 8/10 (Worked brilliantly with the theme)
The Weapon: 8/10 (Loved it)
Supporting Characters: 8/10 (Well-drawn and interesting)
Writing: 8/10 (Well above competent)
Themes: 9/10 (Favorites well-executed)
Resolution: 7/10 (Cool, but coulda been better)

Buy Or Borrow:  If you liked the rest of the series, you’ll probably love this.  If not, it might be better to borrow from a friend.

About the Author:

Chuck Wendig is a novelist, screenwriter, and game designer. He’s the author of BLACKBIRDS, DOUBLE DEAD and DINOCALYPSE NOW, and is co-writer of the short film PANDEMIC, the feature film HiM, and the Emmy-nominated digital narrative COLLAPSUS. He lives in Pennsylvania with wife, taco terrier, and tiny human.

Similar Books:

Other Reviews:
GoodReads
Michael Patrick Hicks – Author Website
Article 94
Froggy Chemist
Dantastic Book Reviews

Buy Links:
Amazon
Barnes and Noble
IndieBound

E-Books:
iBooks
Kindle UK
Kindle US
Kobo
Google Play
nook

Book Review: Young Adult: Red Queen by Victoria Aveyard

Red Queen cover

The poverty stricken Reds are commoners, living under the rule of the Silvers, elite warriors with god-like powers.

To Mare Barrow, a 17-year-old Red girl from The Stilts, it looks like nothing will ever change.

Mare finds herself working in the Silver Palace, at the centre of
those she hates the most. She quickly discovers that, despite her red blood, she possesses a deadly power of her own. One that threatens to destroy Silver control.

But power is a dangerous game. And in this world divided by blood, who will win?

Title: Red Queen
Author: Victoria Aveyard
Category: Young Adult
Genre: Dystopian, Science Fantasy
Publisher: HarperTeen
Publication Date: February 10, 2015
Format: ARC
Length: pages
ISBN-10: 0062310631
ISBN-13: 9780062310637

Series or Standalone: Red Queen #1

Literary Awards: N/A

Themes: Loyalty, Betrayal, Class Warfare
POV: First Person, Singular POV
Tense: Present Tense

Reviewer: Marisa Greene

How I Found It: Happened across an ARC by way of a friend.

Cover Notes: Normally I prefer a bit more of a visual, but this cover was minimalist and surprisingly effective.  I like to think the Red blood on the Silver crown has a certain thematic resonance.  Plus the font is not horribly gimmicky, and the background color is soothing.

Soundtrack:  Hard to decide between Baroque music or more martial tunes for this one.  Or some angsty emo pop.  Because, damn there’s some whining in this book.  I like to think I was a bit more mature as a teenager–probably not.

Review:

I’ve seen a lot of comparisons in other reviews to either Red Rising by Pierce Brown.  There are some shocking similarities.  You can find plenty of examples on Goodreads.  It’s almost the female version, really.  The marketing hype played it up as The Selection by Kiera Cass meets Graceling by Kristen Cashore.  I fail to see any Graceling here, but the first few chapters are almost a novelette length version of “Selection”.

Let’s talk about that, for a bit.  It was boring.  A huge info-dump to display various Silver powers and introduce the Silver aristocrats who played a major part in the cast of the story.  Perhaps if Aveyard had gone into a bit more detail it could have been interesting.  As-is, it felt rushed, and the transition was poor.  I really liked the first couple chapters.  The Roman Empire with electricity thing was a bit heavy-handed.  The book starts out with literal bread and circuses in the form of a gladiatorial match.  Aveyard shoved quite a bit of info-dumping into that, too.  I understand her desire for a quick hook, in the form of threat of conscription for the main characters.  But she pushed too hard, and the set-up of the novel suffered for it.  It also relied on too many cliches.  I would have loved for Mare to steal her way into transport with the Scarlet Guard.  See how things go from there.  But of course, we had to go the sudden awakening of secret powers route.

Now for the steamy bits!  Or rather, the lack thereof.  There’s the requisite love triangle.  Or a square, in this case.  We have the childhood friend, in the form of Kilorn.  And then we have the two Princes of the Realm.  Because what’s a female MC without attracting every eligible bachelor for kingdoms around?  Honestly, I have no idea what the Princes see in Mare, whose a work-a-day Mary Sue character at best, and the speshulist of snowflakes.  I don’t think it’s a spoiler to admit that she naturally has a power no-one else does, having done nothing to earn it, and makes zero use of her pre-awakening skills once she learns to control that power.  There’s nothing but that undeserved power to distinguish her from every other angsty, helpless YA heroine.  I loved Mare the pickpocket, cliche or not, but Mareen the lightning-flinger has little to recommend her.

I’d also like to talk about the portrayal of women in the novel.  They’re all mean and conniving, except for out heroine who is selfish and whiny.  We even have a bona fide Evil Stepmother(TM), and a jealous rival for the heroines main princely love interest.  Some of the Goodreads reviews go into a lot more detail here, with quotes, even.  But practically every silver woman hates Mare on sight, despite plenty of male Silvers who like her, and more nuanced reactions from those who don’t.  Even to the point of being ridiculous.  Cal her no apparent reason to care for the MC, and his throwaway kindness at the beginning could have managed perfectly fine as just that, a throwaway that gets the heroine’s story going.  There are even the standard mean girls.  I would have liked more depth to most of the characters in the novel.

Finally, I need to talk about the conclusion.  No spoilers, but it was horribly predictable.  There’s a huge plothole involving the Queen’s powers.  She’s so powerful, and yet she seemed almost incompetent given how easily a couple of teenagers outwitted her.  So the end of the book did not come as a huge shock to me.  Perhaps the reader is supposed to be a bit sharper than Mare, but the difference between what the readr could figure out and what Mare could was way too large.

I thought I was prepared for this book when I saw the comp titles.  Not really my favorite area, though I’ve enjoyed other dystopians well enough.  But the massive hype left me quite disappointed when I flipped the last page of this book.  Though to be fair, I’m not quite the target audience.

Conclusion: 60/100 (I enjoyed it a bit, but it could have been a lot better)
Premise: 5/10 (Nothing new or exciting here)
Plot: 5/10 (Too many characters passing around the idiot ball)
Setting: 7/10 (Could have been better developed)
Main Character: 4/10 (Selfish and whiny)
Love Interest(s): 5/10 (Lots of boys, little variety)
Powers: 8/10 (Standard, but with great presentation)
Supporting Characters: 7/10 (Far better than the main characters, really.  Loved Julien and the King)
Writing: 6/10 (The mechanical aspect was quite good.  The meaning, rather pedestrian)
Themes: 6/10 (Some of my favorite themes, but poorly handled)
Resolution: 7/10 (Would have been cool if it wasn’t so obvious)

Buy Or Borrow: Borrow, unless this is your genre.

Similar Books:

The Hunger Games bu Suzanne Collins

Red Rising by Pierce Brown

The Selection by Kiera Cass

Other Reviews:
GoodReads
Publishers Weekly
Kirkus Reviews
Muggle Net
USA Today
The Guardian
The Book Smugglers

Buy Links:
Amazon
Barnes and Noble
IndieBound

E-Books:
iBooks
Kindle UK
Kindle US
Kobo
Google Play
nook