Book Review: Horror Novella: We Are All Completely Fine by Daryl Gregory

gregory cover

Harrison was the Monster Detective, a storybook hero. Now he’s in his mid-thirties, and spends most of his time popping pills and not sleeping. Stan became a minor celebrity after being partially eaten by cannibals. Barbara is haunted by unreadable messages carved upon her bones. Greta may or may not be a mass-murdering arsonist. Martin never takes off his sunglasses. Never.

No one believes the extent of their horrific tales, not until they are sought out by psychotherapist Dr. Jan Sayer. What happens when these seemingly-insane outcasts form a support group? Together they must discover which monsters they face are within—and which are lurking in plain sight.

Title: We Are All Completely Fine

Author: Daryl Gregory

Category: Adult Fiction

Genre: Fantasy, Paranormal, Horror

Publisher: Tachyon Publications

Publication Date: August 12, 2014

Format: NetGalley Digital Review Copy

Length: 112 pages

ISBN-10: 1616961716

ISBN-13: 9781616961718

Series or Standalone: Standalone

Literary Awards:

N/A

Themes: Trauma

POV: Multiple Perspectives, Blended

Tense: Past

Reviewer: Atsiko Ureni

How I Got It: Daryl Gregory, writer of beautifully bizarre fiction such as Afterparty and Pandemonium is a writer I have long followed but never read. I’d only heard good things, and I always liked his premises, but I hadn’t gotten around to it. An ARC from NetGalley seemed like just the impetus I was lacking, and I’m very grateful to Nick for providing it.

Review:

I don’t often read horror, but Gregory is an eclectic writer, so I figured I’d take the chance this time. I don’t regret it. Gregory has a strong command of his characters, something speculative fiction has oft been accused of lacking. The horror elements of the story were more like seeds or remnants, rarely seen in the flesh–even in psychological horror terms-but I think that’s part of what makes the idea of the story so intriguing, and it lets Gregory make good use of his characterization skills in a way pure horror doesn’t always allow.

The therapeutic setting may not be the most original, but it managed to remain quite active despite the obvious sedentary nature of such sessions.

Harrison plays the sort of mentor character by way of providing a great deal of elegantly inserted exposition, background, and validation to the other characters. I thought of him as the main character, despite the shifting perspectives, and I think he did a good job anchoring the narrative and the dynamics between the other characters.

Jan, as she likes to be known, is the therapist who creates the inciting incident of the story, and Gregory’s light touch in imparting the reasons for the group’s existence is a nice change from the heavy-handed foreshadowing one often comes across in pulp horror. The same goes for the unraveling of the web of history that connects the characters, history they themselves ma be unaware of. You’d think a story that deals so much with the past would drag, but it doesn’t, and the tantalizing hints of back-story definitely left me wanting more about these characters. It felt like I only got a snapshot of the characters’ lives, and that their stories existed long before that snapshot and will keep going long after. And yet the snapshot itself was still very satisfying. That’s something I consider a mark of a superior story–there are loose ends and secrets and histories the reader is unaware of, but it adds to rather than detracts from the story.

Also, +1 for using augmented reality in a horror story.

It’s safe to say I’ll be picking up a few other Daryl Gregory books after reading this, and I urge everyone else to do the same.

I think anyone who reads speculative or literary fiction would enjoy this book, no matter what they usually read.

Conclusion: 87/100 (An 87 is actually a really high rating, coming from me.)

Premise: 9/10 (Fresh and engaging)

Plot: 9/10 (Compact, but well-constructed)

Setting: 8/10 (Strongly evoked)

Main Character: 10/10 (Citing Harrison, lovely aged boy wonder)

World-building 9/10 (No info-dumping, great details)

Horror Elements 6/10 (Not all that much horror, even psychologically)

Supporting Characters: 10/10 (Well-crafted)

Writing: 8/10 (Well-written)

Themes: 8/10 (Trauma and related themes lovingly conveyed)

Resolution: 9/10 (Made sense, left you thinking)

Buy Or Borrow: Totally buy.

Similar Books:

Other Reviews:

GoodReads

Publishers Weekly

Kirkus August Picks

LitReactor BookShots

Eric Christensen

Bookworm Blues

Thinking About Books

Buy Links:

Amazon

Barnes and Noble

IndieBound

E-Books:

iBooks

Kindle UK

Kindle US

Kobo

Google Play

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2 thoughts on “Book Review: Horror Novella: We Are All Completely Fine by Daryl Gregory

  1. Glad to see someone else enjoyed Daryl Gregory. Good to see someone not afraid to score things realistically! Now my question is this: do you think Daryl Gregory has a shot at a Hugo or Nebula nomination? This was certainly the best novella I read this year (so far), but I don’t know if Gregory is popular enough to get any awards consideration. I’ve liked all his novels, but he seems too outside the box for a lot of readers. There’s a sequel to this novella coming out next year called Harrison Squared, so I’m looking forward to that.

  2. If he’s lucky, he might get a nomination. But as much as I liked the book, it doesn’t have the impact I would expect of a book with a chance at actually winning.

    I don’t hear a lot of readers about Gregory, probably because he operates so much on the edge of genres. I had trouble finding alternate reviews for this post.

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