Book Review: Fantasy: The Dinosaur Lords by Victor Milán

The Dinosaur Lords Cover

A world made by the Eight Creators on which to play out their games of passion and power, Paradise is a sprawling, diverse, often brutal place. Men and women live on Paradise as do dogs, cats, ferrets, goats, and horses. But dinosaurs predominate: wildlife, monsters, beasts of burden – and of war. Colossal planteaters like Brachiosaurus; terrifying meateaters like Allosaurus and the most feared of all, Tyrannosaurus rex. Giant lizards swim warm seas. Birds (some with teeth) share the sky with flying reptiles that range in size from batsized insectivores to majestic and deadly Dragons.

Thus we are plunged into Victor Milán’s splendidly weird world of The Dinosaur Lords, a place that for all purposes mirrors 14th century Europe with its dynastic rivalries, religious wars, and byzantine politics…and the weapons of choice are dinosaurs. Where we have vast armies of dinosaur-mounted knights engaged in battle. And during the course of one of these epic battles, the enigmatic mercenary Dinosaur Lord Karyl Bogomirsky is defeated through betrayal and left for dead. He wakes, naked, wounded, partially amnesiac – and hunted. And embarks upon a journey that will shake his world.

Title: The Dinosaur Lords
Author: Victor Milán
Category: Adult Fiction
Genre: High/Epic Fantasy
Publisher: Macmillan-Tor/Forge
Publication Date: July 28, 2015
Format: NetGalley Excerpt
Length: 166 pages (out of 448 pages)
ISBN-10: 0765332965
ISBN-13: 9780765332967

Series or Standalone: The Dinosaur Lords #1

Literary Awards: N/A

Themes: Court Politics, History vs. Mythology
POV: Third Person, Multiple POVs
Tense: Past Tense

Reviewer: Atsiko Ureni

Where I Got It: Net Galley

Why I Read It: Knights riding dinosaurs, of course.

Review:

1. World-building: The world-building in the story largely consists of imposing 14th-century Europe on an extra-terrestrial planet with populated by dinosaurs.  Clear alternate names for European countries and various aspects of society.  Kind of an alternate history with an extra-terrestrial twist.  Not the most original, but it does have the advantage of thousands of pounds of lizard-flesh to liven things up!

2. Characters: There are three main characters in the story: Imperial Princess Melodia, referred to affectionately by her friends as “Dia”; Count Jaume, head of a Holy Order of Dinosaur Knights; and Rob, an on-the-outs dino-tamer with little to lose and a lot of money to gain.  Jaume is your standard martial hero.  Good with a sword, but a bit one-note personality-wise.  We probably could have skipped most of his sections.  Melodia wasn’t particularly intriguing, either.  A spoiled teenage girl, though apparently quite skilled in the martial arts.  Rob was a bit more interesting.  If nothing else, his stakes were a lot higher.  But again, no major swerves from your standard minstrel.  The minor characters don’t do much to make up for the lack in our protagonists.  The real star here is Dia’s younger sister, whose name I will not embarrass myself by trying to spell.  Never has an annoying little sister been so fun.

3. Story: The story itself is nothing special, either.  The standard political shenanigans.  Quite exciting, and lots of action, of course.  The book was published for a reason.  If politics and fighting s your thing, this is definitely the book for you.  Who could resist jousting on Trexes and hunting Triceratops like a common boar?

4. Writing: Is this the next Game of Thrones, but with dinos?  Not even.  But it’s quite well-written, and the prose does nothing to get in the way of a rollicking good yarn, as it were.  The characters come to life, whether or not you care for them as people.  It can’t quite overcome the conventional story elements, but it does keep the book readable and fun.

5. Extras: The book uses chapter-starters, as has become popular in SFF novels lately.  In this cases, excerpts from two books about the world of the story, Paradise.  They come with beautiful ink drawings.  Definitely something I enjoyed, as insubstantial as they may be in comparison to the rest of the book.

 

Please keep in mind I am reviewing an excerpt consisting of only a third of the full book.  But I think that after 166 pages, it’s still a pretty accurate analysis.

Conclusion: 57/100 (Readable but average)
Premise: 5/10 (Dinos are the only saving grace)
Plot: 5/10 (Interesting, but predictable)
Setting: 5/10 (Score another for the dinos)
Main Character(s): 7/10 (Well-written, but limited in depth)
Romance Subplot: 6/10 (Well-drawn, but predictable)
World-building: 5/10 (Pedestrian, if well-detailed)
Supporting Characters: 5/10 (Same as for main)
Writing: 8/10 (Skilled if not brilliant)
Themes: 4/10 (Lightly touched-on, insufficiently explored)
Resolution: 7/10 (For a cliffhanger.  If the true ending is half as good?  It’ll be fun.)

Buy Or Borrow:  Buy if you love military fantasy and giant dinosaurs.  Maybe borrow if that’s not your cup of tea but you still want to give the book a shot.

An Interview With Victor Milan on Suspension of Disbelief

Similar Books:

Other Reviews:
GoodReads
Beauty in Ruins
Publishers Weekly
Kirkus Reviews
The Bibliosanctum
Zirev
Lone Star on a Lark

Buy Links:
Amazon
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Book Review: Fantasy: The Dark Defiles by Richard K. Morgan

thedarkdefilescover

Ringil Eskiath, a reluctant hero viewed as a corrupt degenerate by the very people who demand his help, has traveled far in search of the Illwrack Changeling, a deathless human sorcerer-warrior raised by the bloodthirsty Aldrain, former rulers of the world. Separated from his companions—Egar the Dragonbane and Archeth—Ringil risks his soul to master a deadly magic that alone can challenge the might of the Changeling. While Archeth and the Dragonbane embark on a trail of blood and tears that ends up exposing long-buried secrets, Ringil finds himself tested as never before, with his life and all existence hanging in the balance.

Title: The Dark Defiles
Author: Richard K. Morgan
Category: Adult Fiction
Genre: Science Fantasy
Publisher: Del Ray Spectra
Publication Date: October 7, 2014
Format: Netgalley DRC
Length: 692 pages
ISBN-10: 0575077948
ISBN-13: 9780345493101

Series or Standalone: A Land Fit for Heroes #3

Literary Awards:
N/A

Themes: The Creation of a Myth, What is a Hero?
POV: Third Person, Multiple POVs
Tense: Past

Reviewer: Atsiko

Why I Read It: I’d heard a lot about Richard K. Morgan’s foray into the fantasy genre, how ground-breaking it was. There was a lot of hype, and I’d never read any of his
science fiction books before. Sounded over-hyped, so I read other things instead. Then Nick managed to score an ARC of the third book in the series. I figured I might as well give it a shot, and it was outside my normal reading, so why not?

Review:

There’s a lot of talk about Richard Morgan breaking new ground in the fantasy genre with this series. First, to get things straight, this series is the bastard child of sword and sorcery and science fantasy, with the Grimdark aesthetic so popular in fantasy right now being the icing on the cake. In that sense, it’s not even part of the high or epic fantasy genres. Now that we have that out of the way, the book on its actual merits.

1. World-building: This is one of the major points of fantasy or speculative fiction in general. Morgan shows himself to be a very competent world-builder in this book. Although he makes use of a lot of subverted cliches, or even cliches played straight, there aren’t any major wholes in the world-building. What he does best is history and the other-world part of the setting. Quite interesting, lots of cool takes on older fantasy staples. The main world of the story, though, doesn’t fare so well. There’s an Empire, a “League of Free Cities”, and some barbarians in the form of “steppe nomads”, but with the steppe replaced by the Great Plains of middle America. Nothing new or even particularly interesting here. Although, he has improved a great deal on the previous novels.

2. Characters: The characters have much improved in this book. They are more developed, and make more interesting decisions. Ringil in particular develops his anti-hero personality, much more. Especially vis-a-vis his family. And yet without any of the over-indulgence that was present in the last book. Further, he comes more into his powers, and Morgan shows more of the process.

Archeth, too gets a boost in ability, and her relationship to the absent Kiriath and the Helmsmen they left behind is greatly expanded upon.

Egar Dragonbane also receives much more development. A good thing considering he was the weakest character in the previous two books.

3. Story: The threads of the story are much better balanced than in the preivious two books. A great deal of info-dumping occurs, as Morgan attempts to set up for the climax and resolution of the story. A climax that could have been very interesting if handled better, but here fell rather flat and felt rushed. There were several interesting scenes, and the book recovers incredibly well from the second-book-slump of The Cold Commands. In fact, the middle two-thirds of the story is perhaps the best part of the entire trilogy.

In the end, as much as it does to counteract the weaknesses of the rest of the trilogy, it can’t quite manage to bring the trilogy from your average mid-list fantasy series to the heights promised by the initial hype leading up to the release of The Steel Remains.

Conclusion: 69/100 (Readable but not the brilliance it’s made out to be)
Premise: 6/10 (Meant to be ground-breaking, isn’t)
Plot: 8/10 (Coherent and interesting)
Setting: 6/10 (Fairly standard fantasy cliches)
Main Character(s): 8/10 (Standard tropes, well executed)
World-building 8/10 (Some very interesting points but not brilliant)
Magic system 7/10 (Fairly standard)
Supporting Characters: 4/10 (Very cliche)
Writing: 4/5 (More than competent, not brilliant)
Voice: 5/5 (Very strong voice, easy to distinguish between characters)
Themes: 7/10 (Good, poorly expressed)
Resolution: 6/10 (Predictable and boring)

Buy Or Borrow: Worth buying if this review intrigues you.

Similar Books:
The Coldfire Trilogy by C.S. Friedman
The Corean Chronicles by L. E. Modesitt
The Elric Saga by Michael Moorcock
The First Law Trilogy by Joe Abercrombie

Other Reviews:
GoodReads
Kirkus Reviews
_
_
_
_
_

Buy Links:
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E-Books:
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Book Review: Young Adult: Afterworlds by Scott Westerfeld

Afterworlds Cover

Darcy Patel has put college and everything else on hold to publish her teen novel, Afterworlds. Arriving in New York with no apartment or friends she wonders whether she’s made the right decision until she falls in with a crowd of other seasoned and fledgling writers who take her under their wings…

Told in alternating chapters is Darcy’s novel, a suspenseful thriller about Lizzie, a teen who slips into the ‘Afterworld’ to survive a terrorist attack. But the Afterworld is a place between the living and the dead and as Lizzie drifts between our world and that of the Afterworld, she discovers that many unsolved – and terrifying – stories need to be reconciled. And when a new threat resurfaces, Lizzie learns her special gifts may not be enough to protect those she loves and cares about most.

Title: Afterworlds
Author: Scott Westerfeld
Category: Young Adult/New Adult
Genre: Literary Fiction/Paranormal
Publisher: Simon Pulse
Publication Date: September 23, 2014
Format: Paperback ARC
Length: 599 pages
ISBN-10: 1481422340
ISBN-13: 9781481422345

Series or Standalone: Standalone

Literary Awards:
N/A

Themes: GLBTQ
POV: Alternating 3rd and 1st person
Tense: Past

Reviewer(s): Atsiko and Marisa

Where I Got It: Anyone who’s been following this blog for awhile may be wondering what I’m doing reviewing a Young Adult title. That’s supposed to be Nick and Marisa’s job. There happen to be some extenuating circumstances for this one. First, the only version of this book available on NetGalley is the UK edition from Simon and Schuster UK Children’s. I’m a huge Westerfeld fan, so I was very disappointed when Nick told me that. But then, conveniently, another friend of mine happened to stumble across a cache of ARCs for 2013-2015, and this was one of them. I asked Nick and Marisa if I could review this, and they said yes. I am a huge Westerfeld fan, so this made my year.

Review:

Atsiko

Another major reason I’m reviewing this book is that technically speaking, we agreed it’s a New Adult book. No offense to Westerfeld and his marketing campaign. Plenty of gap year books exist in YA. Plenty of teenagers hang out with older folks. And it does have a first love. However, the plot and themes of one of the two interlocking stories felt strongly NA to us. Again, that would still be in Marisa’s ballpark normally, especially as the other half is somewhat of a paranormal romance. But for scheduling reasons and because it there’s a strong fantasy element to the main character’s novel, so much so that it really blurs the line between PR and Urban Fantasy. I promise all this is actually relevant to my review.

How? Because this book was something of a disappointment to me. And also to Marisa. You may have noticed we’re sharing the “Reviewer” spot here. This will be a joint review, something we figured we might as well try, since it’s a group blog anyway.

Marisa

Hey, guys. Welcome to the first joint review on Notes from the Dark! As you may know, I’ve been looking for some NA books that aren’t pure romance. I don’t mind romance sometimes, but as a college student and thus a New Adult, I think the category has so much more to offer than just a hot steamy romance. I had high hopes for this book. As Atsiko mentioned, we agreed it had many elements of NA in our opinion. And despite having romance as a major element in both stories lines, that wasn’t the only part of part of it. I wouldn’t call it a true romance novel. To me, it’s literary fiction, one of my other loves in literature. I found a lot to like in this book, but there was a lot I think could have been better. Since Atsiko has previously blogged about cultural appropriation in YA fantasy and literature in general, I’m going to let him handle the story-within-a-story part, while I deal with Darcy’s part of the book. Then at the end, we’ll both share our conclusions together.

Atsiko

Despite being billed a single novel, this book is really two books in one. There’s not a great deal of interaction between the two story-lines. I’m rather disappointed, since there could have been quite a bit. I kind of wish we had been treated to Lizzie’s story in draft(s) form, rather than as a final copy, since it removes some of the suspense in Darcy’s story, and takes out some really cool narrative and thematic possibilities. If you separated the two stories, there wouldn’t be many clues to show you had done so. For something as much of a trope as a writer writing about a writer, I was hoping for something more from a writer of Westerfeld’s caliber.

Lizzie’s story, about a girl who survives a terrorist attack by fleeing to the afterlife and becoming something of a reaper/psychopomp(guide to the afterlife), is actually a fairly decent paranormal romance/urban fantasy on its own. It’s got a fun premise, contains some lovely and uncommon (in PR and much UF) horror elements, and is fairly dark in some ways. I would have loved to read that book, written as a standalone and self-contained novel by Westerfeld. I won’t spoil it, but the villain was cool, the love interest more original than your average vampire, and the paranormal aspects an old trope with a new twist.

I wouldn’t read Lizzie’s half as a true paranormal romance. Romance readers will understand that warning once they finish the book. But it had some decent tension even if it wasn’t as “swoon-worthy” as something by Stephanie Perkins.

Marisa

I really loved Darcy’s part of this story. Aside from our concerns about target audience appropriateness, I thought it was a nice light YA/NA romance. There were some interesting issues with Darcy’s relationship. Some people might find certain elements uncomfortable. Obviously some people don’t like same-sex or interracial relationships. There are some other factors I won’t spoil. I know other reviewers have felt Darcy was a bit clingy, but I don’t think it was gratuitous. There was decent reasoning behind her behavior, and it never descended into an unhealthy relationship. Especially for a first love kind of story, it felt pretty realistic. Darcy’s romance isn’t sweep you off your feet, either. It was more of a sweet, awkward style of love. I really liked it. When I do read romance, I tend not to prefer the insta-love type, or the aggressive partner type. If you do, just be warned. I think there’s still plenty to enjoy, even if it takes a more gen/lit fic approach to romance than a true romance novel.

I think Darcy was a good every-girl character, without being totally bland. She definitely reminds me of me and my friends at that age (four years ago), and how we approached our writing, although there’s some fun wish-fulfillment in that she actually has a publishing contract.

Atsiko

Stepping on Marisa’s toes a bit–with permission!–one of the themes of the book is literary inclusiveness and cultural appropriation. Several of Darcy’s writer friends make use of mythos outside their own ethnic heritages, including native Australian mythology. Darcy herself writes within her own Indian heritage, using a character from Vedic mythology. In one scene she asks her family about whether they feel she has done justice to the mythology or stepped on it. There were some insightful and pragmatic answers. Not everyone may agree with them. Personally, there were parts I liked, and parts I didn’t, but rather than spoil those scenes, I think readers should make up their own minds.

There’s also the fact that Westerfeld, a straight, white, cis male author wrote Darcy’s story itself, the story of a lesbian Indian girl. As someone who is not Indian either, I thought Westerfeld managed a respectful balance, getting his facts mostly straight and making some good points on the issue of cultural appropriation. I can’t give him a 100% pass, of course, since I’m sure he did more research and fact-checking than I could do for this review. But I’ve seen no complaints from readers about his handling of the issue, either. If there are problems, I’d love to hear about them. There were a few small connections between the the writing of Lizzie’s story and Darcy’s story, and I thought they were interesting twists. One of the medium twists in the novel involves an incident that both stories shared versions of, and I think Westerfeld made some cool comments about being a writer with it. But I still wish there had been more of an interplay.

Marisa

I happen to be a white cis straight girl, so while I try to keep up with the latest in diversity in literature and respecting other cultures, I can’t verify the accuracy of Westerfeld’s portrayal of Darcy. I can say that I found Lizzie quite realistic and relatable. Darcy seemed like a pretty reasonable character outside of my previous caveat. I liked her and felt I could relate to her.

Atsiko

There are elements of a send-up or satire of the life of a writer in this book. I wonder if most readers would catch these, since they revolve around in-jokes and self-deprecation on the part of Darcy and her writer friends. I think that sharing the writing life with YA readers might have been better accomplished if the book hadn’t split it’s focus so much. I’m sure others will disagree. A variety of tastes is what keeps the fiction market interesting.

Marisa

Much like Atsiko, (and Nick), I’m something of an aspiring writer. I’m an English major, and I read… a lot. So I really enjoyed Westerfeld’s scenes on the issues of writing. I don’t know what the average YA reader’s experience with writing and publishing is. Maybe they’ll totally get all the jokes. “Publishers Brunch”, for example. Revisions. Writer parties. I’m not a hundred percent sure I agree it’s satire of publishing, and with that in mind I did find what I felt were some annoying cliches. Again, that’s to the individual reader’s taste.

There is something we talked about among ourselves that I’m going to take the lead on. There are obviously drinks at these parties, since the majority of authors are of age. Both Atsiko and I were a little uncomfortable with the characters’ willingness to flout the law with regards to alcohol consumption. Casually handing a beer to a minor, no matter how you feel about drinking laws or the idea that teens drink anyway, why be so uptight? It bothers me. Other readers may disagree. I don’t believe YA writers have some sort of moral responsibility to their readers, or to support the law as written with no room for disagreement. But still.

Together

Overall, we both felt it was a decent book. Certainly no complaints that it got published. There were some issues we had, and to an extent they did detract from our enjoyment of the book. And it’s quite a long book. Our ARC was 599 pages, and the published version is listed as 608. That’s a lot for a YA novel. But we don’t regret reading it. We didn’t struggle to get through it. It didn’t blow us away, but we liked it. Perhaps that’s not a ringing endorsement. But no book is perfect. We’re still giving this book the equivalent of 3 and a half stars.

Marisa

Conclusion: 77/100 (A solid piece, but not fantastic)
Premise: 7/10 (Fun, but could have been done better)
Plot: 8/10 (No major issues for me)
Setting: 9/10 (Felt like I was there)
Main Character(s): 8/10 (Loved Darcy, Lizze made sense in context)
World-building 7/10 (Good, but could have been better)
Romance Plot(s): 8/10 (Fun but not very original)
Supporting Characters: 6/10 (Nothing great)
Writing: 8/10 (Well-written)
Themes: 8/10 (Thoroughly addressed)
Resolution: 8/10 (I like this kind of ending)

Atsiko

Conclusion: 70/100 (Needed more editing)
Premise: 6/10 (Writers writing about writers/writing is not my thing)
Plot: 7/10 (Like Lizzie’s, Darcy’s could have been better)
Setting: 8/10 (Well-depicted)
Main Character(s): 7/10 (Mostly liked ’em)
World-building: 7/10 (Not bad)
Romance Plot(s): 7/10 (Standard issue)
Supporting Characters: 5/10 (Needed more)
Writing: 8/10 (Good, not brilliant)
Themes: 8/10 (With 600 pages, could have been better examined)
Resolution: 7/10 (Didn’t hate it)

Buy Or Borrow: If you’re looking for NA without a primary romantic element, buy this. If you like litfic and stories about writers, buy it. Otherwise, it might be better to borrow.

Similar Books:
There aren’t any, but we wish there were.

Nick

An administrative note! Due to school issues, Marisa’s review of Love is the Drug will be slightly delayed. This review, being a joint review, was written well in advance. We apologize for this. It shouldn’t be a common occurrence.

Further, to avoid over-posting, my review of Dead Zone may also be a bit late. However, all late reviews will be out by Sunday, and then we will be back to our regular review schedule.

Other Reviews:
GoodReads
Publishers Weekly
Kirkus Reviews
Good Books and Good Wine
Proud Book Nerd
Reading Lark
cuddlebuggery

Buy Links:
Amazon
Barnes and Noble
IndieBound

E-Books:
iBooks
Kindle UK
Kindle US
Kobo
Google Play
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Book Review: Horror Novella: We Are All Completely Fine by Daryl Gregory

gregory cover

Harrison was the Monster Detective, a storybook hero. Now he’s in his mid-thirties, and spends most of his time popping pills and not sleeping. Stan became a minor celebrity after being partially eaten by cannibals. Barbara is haunted by unreadable messages carved upon her bones. Greta may or may not be a mass-murdering arsonist. Martin never takes off his sunglasses. Never.

No one believes the extent of their horrific tales, not until they are sought out by psychotherapist Dr. Jan Sayer. What happens when these seemingly-insane outcasts form a support group? Together they must discover which monsters they face are within—and which are lurking in plain sight.

Title: We Are All Completely Fine

Author: Daryl Gregory

Category: Adult Fiction

Genre: Fantasy, Paranormal, Horror

Publisher: Tachyon Publications

Publication Date: August 12, 2014

Format: NetGalley Digital Review Copy

Length: 112 pages

ISBN-10: 1616961716

ISBN-13: 9781616961718

Series or Standalone: Standalone

Literary Awards:

N/A

Themes: Trauma

POV: Multiple Perspectives, Blended

Tense: Past

Reviewer: Atsiko Ureni

How I Got It: Daryl Gregory, writer of beautifully bizarre fiction such as Afterparty and Pandemonium is a writer I have long followed but never read. I’d only heard good things, and I always liked his premises, but I hadn’t gotten around to it. An ARC from NetGalley seemed like just the impetus I was lacking, and I’m very grateful to Nick for providing it.

Review:

I don’t often read horror, but Gregory is an eclectic writer, so I figured I’d take the chance this time. I don’t regret it. Gregory has a strong command of his characters, something speculative fiction has oft been accused of lacking. The horror elements of the story were more like seeds or remnants, rarely seen in the flesh–even in psychological horror terms-but I think that’s part of what makes the idea of the story so intriguing, and it lets Gregory make good use of his characterization skills in a way pure horror doesn’t always allow.

The therapeutic setting may not be the most original, but it managed to remain quite active despite the obvious sedentary nature of such sessions.

Harrison plays the sort of mentor character by way of providing a great deal of elegantly inserted exposition, background, and validation to the other characters. I thought of him as the main character, despite the shifting perspectives, and I think he did a good job anchoring the narrative and the dynamics between the other characters.

Jan, as she likes to be known, is the therapist who creates the inciting incident of the story, and Gregory’s light touch in imparting the reasons for the group’s existence is a nice change from the heavy-handed foreshadowing one often comes across in pulp horror. The same goes for the unraveling of the web of history that connects the characters, history they themselves ma be unaware of. You’d think a story that deals so much with the past would drag, but it doesn’t, and the tantalizing hints of back-story definitely left me wanting more about these characters. It felt like I only got a snapshot of the characters’ lives, and that their stories existed long before that snapshot and will keep going long after. And yet the snapshot itself was still very satisfying. That’s something I consider a mark of a superior story–there are loose ends and secrets and histories the reader is unaware of, but it adds to rather than detracts from the story.

Also, +1 for using augmented reality in a horror story.

It’s safe to say I’ll be picking up a few other Daryl Gregory books after reading this, and I urge everyone else to do the same.

I think anyone who reads speculative or literary fiction would enjoy this book, no matter what they usually read.

Conclusion: 87/100 (An 87 is actually a really high rating, coming from me.)

Premise: 9/10 (Fresh and engaging)

Plot: 9/10 (Compact, but well-constructed)

Setting: 8/10 (Strongly evoked)

Main Character: 10/10 (Citing Harrison, lovely aged boy wonder)

World-building 9/10 (No info-dumping, great details)

Horror Elements 6/10 (Not all that much horror, even psychologically)

Supporting Characters: 10/10 (Well-crafted)

Writing: 8/10 (Well-written)

Themes: 8/10 (Trauma and related themes lovingly conveyed)

Resolution: 9/10 (Made sense, left you thinking)

Buy Or Borrow: Totally buy.

Similar Books:

Other Reviews:

GoodReads

Publishers Weekly

Kirkus August Picks

LitReactor BookShots

Eric Christensen

Bookworm Blues

Thinking About Books

Buy Links:

Amazon

Barnes and Noble

IndieBound

E-Books:

iBooks

Kindle UK

Kindle US

Kobo

Google Play

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Book Review: Fantasy/Romance: The House of the Four Winds by Mercedes Lackey and James Mallory

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The rulers of tiny, impoverished Swansgaard have twelve daughters and one son. While the prince’s future is assured, his twelve sisters must find their own fortunes.

Disguising herself as Clarence, a sailor, Princess Clarice intends to work her way to the New World. When the crew rebels, Clarice/Clarence, an expert with rapier and dagger, sides with the handsome navigator, Dominick, and kills the cruel captain.

Dominick leads the now-outlawed crew in search of treasure in the secret pirate haven known as The House of Four Winds. They encounter the sorceress Shamal, who claims Dominick for her own—but Clarice has fallen hard for Dominick and won’t give him up without a fight.

Title: The House of the Four Winds
Author(s): Mercedes Lackey and James Mallory
Category: Adult Fiction/New Adult
Genre: Fantasy/Romance
Publisher: Tor Books
Publication Date: August 5, 2014
Format: Digital Review Copy from NetGalley
Length: 231 pages
ISBN-10: 0765335654
ISBN-13: 9780765335654

Series or Standalone: One Dozen Daughters #1

Literary Awards:
N/A

Themes: Pirates
POV: Third Person
Tense: Past

Reviewer: Marisa

How I Found It: I’ve always been a big Lackey fan, so when Nick told me he could get an ARC of her new series, of course I jumped at the chance.

Cover Notes: I thought the cover was lovely, but to start on a theme you can expect to see a lot of in my review, it felt very Pirates of the Caribbean to me.

Soundtrack: It might be a bit mean of me, but you won’t be surprised to know I read this one to the tune of my PotC soundtracks. Unsurprisingly, they fit it pretty well.

Review:

Maybe I over-hyped this book to myself, since I love Lackey so much. Perhaps I went into it with slightly inaccurate genre expectations. Either way, I found myself quite disappointed with this book. That’s not to say it’s awful. It’s a passable mix between a pirate romance and a fairy-tale. The plot mostly holds together, and most of the characters are interesting. But there’s nothing special about the book that grabs, and despite portraying itself as a fantasy romance, the fantasy elements are few and far-between, for the most part, and the romance has no meat to it. There’s insta-love on the part of Clarice, but 99% of the story pushes her relationship with Dominick towards friendship rather than romance. In fact, there’s something of a warm bro-mance between Dominick and Clarice’s alternate persona Clarence. I think the book might have been better if Clarice had been a boy, perhaps a disposable 12th prince instead of the 1st of twelve princesses.

The main plot of the story started out quite interesting, and up until half-way through the portion of the novel set in the eponymous House of the Four Winds, I thought the story was quite interesting. Despite a few small quibbles. But the direction the story took after that had horrible pacing, little suspense, and was chock-full of sailor lore cliches that added little to the story. There were three major conflicts in the story. The first, involving the mutiny, was fairly interesting and what at first appeared to be bad characterization in fact turned out to be an intriguing plot twist. I have to congratulate the authors on that one.

The second conflict/sub-plot, involving the aftermath of the mutiny and the character’s arrival at the House was also interesting. But it was rushed through, and the swash-buckling, pirate-wrangling adventure I was anticipating was almost immediately done away with.

The third conflict was cliche, rushed, and boring, with only one or two sparks of interest to carry me through it.

In the end, while this isn’t an awful book, and I don’t think I completely wasted my time reading it–short as it was, I’m not particularly excited to see the next few books in the series either. This was not of the quality I had come to expect from Mercedes Lackey. I haven’t read any of her other collaborations with James Mallory, so perhaps his influence has something to do with the lack. I’m not very motivated to find out, at this point.

Conclusion: 61/100 (A very cliche and rather boring Pirates of the Caribbean clone)
Premise: 6/10 (Fun and an old standard, but no interesting twist)
Plot: 5/10 (Cliche and a bit dull, but coherent)
Setting: 8/10 (Our world, but nicely re-imagined)
Main Character(s): 7/10 (Loved Clarice/Clarence, found Dominick rather flat)
World-building: 5/10 (paper-thin facade of an alternate earth, but coherent enough)
Romance Sub-plot: 5/10 (Sweet, but way under-developed)
Supporting Characters: 8/10 (Fun and diverse)
Writing: 7/10 (Decently-written, but not fantastic)
Themes: 4/10 (No real theme to add depth to the story)
Resolution: 6/10 (Rushed and hollow)

Buy Or Borrow: I’d say borrow unless you’re a huge Lackey fan or love nautical romance.

Similar Books:
I don’t read a lot of romance, but I’m sure there are similar books. As for fantasy, I can’t think of any off the top of my head.

Other Reviews:
GoodReads
Dear Author
Bibliophilia, Please
There Were Books Involved
Between the Pages
Imaginary Reads
Gun In Act One

Buy Links:
Amazon
Barnes and Noble
IndieBound

E-Books:
iBooks
Kindle UK Not available
Kindle US
Kobo
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Book Review: Fantasy: Fool’s Assassin by Robin Hobb

Fool's Assassin Cover

Nearly twenty years ago, Robin Hobb burst upon the fantasy scene with the first of her acclaimed Farseer novels, Assassin’s Apprentice, which introduced the characters of FitzChivalry Farseer and his uncanny friend the Fool. A watershed moment in modern fantasy, this novel—and those that followed—broke exciting new ground in a beloved genre. Together with George R. R. Martin, Robin Hobb helped pave the way for such talented new voices as Scott Lynch, Brandon Sanderson, and Naomi Novik.

Over the years, Hobb’s imagination has soared throughout the mythic lands of the Six Duchies in such bestselling series as the Liveship Traders Trilogy and the Rain Wilds Chronicles. But no matter how far she roamed, her heart always remained with Fitz. And now, at last, she has come home, with an astonishing new novel that opens a dark and gripping chapter in the Farseer saga.

FitzChivalry—royal bastard and former king’s assassin—has left his life of intrigue behind. As far as the rest of the world knows, FitzChivalry Farseer is dead and buried. Masquerading as Tom Badgerlock, Fitz is now married to his childhood sweetheart, Molly, and leading the quiet life of a country squire.

Though Fitz is haunted by the disappearance of the Fool, who did so much to shape Fitz into the man he has become, such private hurts are put aside in the business of daily life, at least until the appearance of menacing, pale-skinned strangers casts a sinister shadow over Fitz’s past . . . and his future.

Now, to protect his new life, the former assassin must once again take up his old one. . . .

Title: Fool’s Assassin
Author: Robin Hobb
Category: Adult Fiction
Genre: Fantasy, High Fantasy
Publisher: Del Ray Spectra
Publication Date: August 12, 2014
Format: Electronic Review Copy
Length: 580 pages
ISBN-10: 0553392425
ISBN-13: 9780553392425

Series or Standalone: The Fitz and The Fool Trilogy, #1

Literary Awards:
N/A

Themes: Family/Parenting
POV: Dual First Person
Tense: Past

Reviewer: Atsiko Ureni

How I Got It: Nick received an electronic review copy of this book from NetGalley, and being a huge Robin Hobb fan, of course I said I’d review it.

Review:

I always try to write my reviews as soon after finishing the book as possible, because the longer I wait, the more I notice things that weren’t actually so great about it. But as a reader, if the author can manage to sweep those things under the rug long enough for me to finish the book, I’m willing to give them a bit of wiggle room. But, even having only been done for a day or so, I still had a few issues with this book, even though I mostly enjoyed it.

World-building

Judging a book in a series is always harder than a standalone. Especially a book that continues a larger series after ten years or more. I loved the rest of Hobb’s Fitz series, and all her stories set in the same world, to be honest. So she has the weight of all her previous (and incredible) world-building work behind this book. That said, I think she still did a great job with her world-building in this novel, tying in with the older books with barely the knot even showing. The Six Duchies still stands out as one of the most beautiful and fully-realized fantasy settings I’ve ever had the pleasure to encounter. And the setting of Withywoods is in the same vein. I felt just as present there as I did at Buckkeep in the previous novels.

Characters

The first major issue I have with the book–and many other reviews apparently agree with me–was the characters. Nettle, Fitz’s daughter with Molly, was almost perfect. A bit clueless about some things, but more by authorial edict than character development. Molly, too, felt like a natural progression of her previous character. But beyond that, the main characters had some serious flaws in their portrayal. Fitz himself seemed to be his old smart self or a complete idiot as the plot dictated. He would ignore his daughter Bee’s problems at one point, and a page later he would be almost the ideal father to her. It was incredibly frustrating in some places. It didn’t ruin the book for me, but it contributed to several concerns I had with the way the plot was constructed. When Hobb was on the ball, she was on fire, but when she was off it, she was terrible in this respect.

Bee was another problem character. Again the plot seemed to force her into some unnatural behavior, such as her lack of communication in areas where even a girl her age would have known it was needed. She was portrayed as wiser than her years in many ways, and yet she also had the instincts of a child and the apparent knowledge of how adults are so divorced from children’s politics to be good allies. In many ways, she was an expertly constructed character, despite my issues with the rather cliche “old soul”/ mystical waif character Hobb assigned her. I was so split on Bee. I wanted to love her when sparks of Hobb’s first person characterization brilliance showed themselves. But often I found her annoying.

Finally, several characters were caught up in the authorial persecution of Bee’s character. FitzVigilant(Lant), Shun Fallstar, even Fitz, on occasion. Hobb had so many other seeds she could have nurtured in pursuit of her goal with Bee, and yet she fell back on mediocre conspiracy between characters. Certainly Fitz often joined this conspiracy by being a complete idiot on several occasions.

Shun’s character was quite irritating in that regard. And others. I never figured out why Chade was such an idiot regarding how her temperament might conflict with Bee and Fitz. Why he even let her retain such a temperament in the first place. Several of the characters are getting a bit old, perhaps losing some of their edge. A great route to take, I think, if only Hobb had made better use of it. But it doesn’t excuse their utter failure to think ahead more than three seconds when convenient to Hobb’s plot.

In fact, I might have enjoyed Shun and Lant’s personalities in isolation or in another context. But as is, they frustrated me quite a lot.

Plot

For obvious spoiler reasons and the fact that this is an advance review, I won’t be able to discuss the plot issues as fully as I’d like. The main plot was quite interesting. On it’s own, it might warrant a 9/10. But Hobb’s obvious desire to accomplish her set-up and character introductions meant the pacing in this book was off quite often, and the book dragged in areas. Even with the large time-skips near the beginning of the novel. If Hobb had focused more on the main plot, and not dropped such a brutally lazy cliff-hanger at the end of the book, it would have been a great re-entrance into the Farseer universe. There was a lot of potential in the book, and I’m very hopeful that the rest of the series, having its set-up completed her, will be a vast improvement in terms of actual story.

Conclusion

This definitely felt like a Fitz novel, and though it may seem like I hated everything about the book, it was actually a mostly enjoyable read, even if I have to admit it’s not Hobb’s best work. I do think it’s worth reading, and the portion of Fitz fans who were desperately waiting for more Farseer novels will definitely want to read this. It was great to feel the old characters around me again. Even though there wasn’t a lot of new action and mystery in the novel, it was still interesting, and I wanted to know what would happen as I turned the pages.

That said, for someone just getting into the Farseer novels or Robin Hobb as an author, I would not start here. I would read the Soldier Son trilogy or the original Fitz trilogy first.

Conclusion: 80/100 (Worth the read, but my expectations were much too high)
Premise: 8/10 (For anyone whose ever wanted an “after the quest is over” narrative)
Plot: 8/10 (Coherent and interesting, but had some holes)
Setting: 9/10 (I definitely felt like I was in the Six Duchies. Withywoods especially was great)
Main Character(s): 7/10 (Mostly well-drawn and interesting, but Bee had some issues)
World-building: 8/10 (Lovely, few holes)
Magic System 9/10 (Very solid and integrated to the world, though rarely flashy)
Supporting Characters: 7/10 (The newer characters felt a bit shallow)
Writing: 8/10 (Very evocative, but awkward in places)
Themes: 8/10 (Good themes, and well executed for the most part)
Resolution: 8/10 (Interesting, but an annoyingly massive cliff-hanger)

Buy Or Borrow: Definitely worth buying this. I can’t wait to read the next one.

Similar Books:
The Demon Child Trilogy by Jennifer Fallon
Winds of the Forelands by David B. Coe

Other Reviews:
GoodReads
Kirkus Reviews
Publisher’s Weekly
SciFiNow
I Smell Sheep
Pat’s Fantasy Hotlist
Kobold Press

Buy Links:
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Barnes and Noble
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E-Books:
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