Book Review: Young Adult: After the Fall by Kate Hart

After the Fall

A YA debut about a teen girl who wrestles with rumors, reputation, and her relationships with two brothers.

Seventeen-year-old Raychel is sleeping with two boys: her overachieving best friend Matt…and his slacker brother, Andrew. Raychel sneaks into Matt’s bed after nightmares, but nothing ever happens. He doesn’t even seem to realize she’s a girl, except when he decides she needs rescuing. But Raychel doesn’t want to be his girl anyway. She just needs his support as she deals with the classmate who assaulted her, the constant threat of her family’s eviction, and the dream of college slipping quickly out of reach. Matt tries to help, but he doesn’t really get it… and he’d never understand why she’s fallen into a secret relationship with his brother. The friendships are a precarious balance, and when tragedy strikes, everything falls apart. Raychel has to decide which pieces she can pick up – and which ones are worth putting back together.

Title: After the Fall
Author: Kate Hart
Category: Young Adult
Genre: Contemporary
Publisher: Farrar, Straus. & Giroux
Publication Date: January 24, 2017
Format: E-book
Length: 336 pages
ISBN-10: 0374302715
ISBN-13: 9780374302719

Series or Standalone: Standalone

Literary Awards: N/A

Themes: consent, grief, romance, college, small towns
POV: Dual first-person
Tense: Present

Reviewer: Nick and Marisa

Where We Got It: Marisa bought it after hearing about it on goodreads and loaned it to me to see if I agreed with her.  Spoilers:  I did.

Marisa’s Cover Notes:  Love the colors, but the image is kinda boring, I guess.  It does connect to the plot, but I wish there was more emotion in it or a more concrete image from the story.  This could be the cover of any random YA novel.  (Usually I listen to music when I read, but this time I was watching TV “with” my mom, so no soundtrack.)

Review:

Nick

Technically I’m here to give the male perspective, I guess.  This was originally Marisa’s review, but she wanted to know if being a guy changed my perception of the story and characters.  A little bit, I guess, but not much.

Marisa

I have two main complaints about this book.  One, the pacing was all over the place because the author tried to stuff way too much stuff into one story without doing the enough build-up for it all.  Either the romantic plot, the assault plot, the what am I doing after high school plot or the surprise twist would have been enough to carry the story on their own, especially given the several b-plots in the book.  But all at once was too ambitious.  I don’t think the author had the skill to pull it off, though some authors might have had.

My second issue is that the characters were all annoying as all heck, and I couldn’t really sympathize with any of the main characters.  Maybe that’s because the author didn’t do a good enough job presenting their background?

Nick

I happen to agree with Marisa on both those points.  Further, I think she agreed with me that the so-called “feminist” issues in the book were not handled well.  The assault especially was believable, but the characters all responded way too after-school special to them.  In fact, Marisa pointed out one line in the book was an almost perfect rip-off of the popular quote that girls aren’t vending machines you put kindness coins into until sex falls out.  I am 100% behind tackling these issues in YA.  But I think it’s important to handle the issue in a way that comes off as a natural follow-up the the events of the story and also to not sound preachy.

Marisa

There was a really-strong sense of authorial intrusion in the way the characters talked to Raychel about her assault.  In particular one character was oddly flip-floppy in how strongly she pushed to present the assault as rape but then said reporting it was a waste of time.  And this character did not feel like they were stepping into the narrative naturally.  It felt very forced.  I think that could turn off a lot of readers to the truths the author was trying to convey.  I’ve seen this book compared to Courtney Summers, but it’s miles apart in the way the similar subject matter is handled.  It was very disappointing.

Nick

I think what it comes down to is that this book was all over the place, and that made it hard to address any particular aspect of it with the kind of nuance the topics it covers deserved.  It felt rather slow in the first half, and rushed in the second half, because the author couldn’t seem to decide what was the most important point and so she found herself with a lot of loose ends to tie up.

Marisa

I think Nick’s right.  If the author had picked three of the moderate to major themes/plots threads to focus on, she could have written a really good novel exploring those things.  But as it is, the book just feels shallow in a lot of places.  And I don’t think that gives it enough power to really drive home the author’s points to the audience.  The premise is good, but the execution is severely lacking.

Conclusion: 61/100 (Author’s reach exceeds her grasp)
Premise: 8/10 (So much wasted potential)
Plot: 4/10 (Ugh?  Ugh.)
Setting: 7/10 (Very solid, but could have used more development)
Main Character(s): 6/10 (All kinda jerks and unlikeable cutouts)
Romance: 5/10 (Liked him, but didn’t get her attraction)
Twist: 4/10 (Out of nowhere and seemed kind cheap)
Supporting Characters: 7/10 (Better than the MCs)
Writing: 7/10 (Competent but lacking spark)
Themes: 6/10 (Points for ambition, no cookie for execution)
Resolution: 7/10 (Strongest part of the book?)

Buy Or Borrow:  If you must read it, we recommend you borrow from a friend of the library.

Similar Books:

All the Rage or anything from Courtney Summers

Other Reviews:
GoodReads
Kirkus Reviews
Publishers Weekly
TeenReads
Portrait of a Book
YA Bibliophile
Pretty Deadly Reviews

Buy Links:
Amazon
Barnes and Noble
IndieBound

E-Books:
iBooks
Kindle UK
Kindle US
Kobo
Google Play
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Book Review: Young Adult: The Abyss Surrounds Us by Emily Skrutskie

The Abyss Surrounds Us cover

Cas has fought pirates her entire life. But can she survive living among them?

For Cassandra Leung, bossing around sea monsters is just the family business. She’s been a Reckoner trainer-in-training ever since she could walk, raising the genetically-engineered beasts to defend ships as they cross the pirate-infested NeoPacific. But when the pirate queen Santa Elena swoops in on Cas’s first solo mission and snatches her from the bloodstained decks, Cas’s dream of being a full-time trainer seems dead in the water.

There’s no time to mourn. Waiting for her on the pirate ship is an unhatched Reckoner pup. Santa Elena wants to take back the seas with a monster of her own, and she needs a proper trainer to do it. She orders Cas to raise the pup, make sure he imprints on her ship, and, when the time comes, teach him to fight for the pirates. If Cas fails, her blood will be the next to paint the sea.

Title: The Abyss Surrounds Us
Author: Emily Skrutskie, Twitter
Category: Young Adult
Genre: Post-apocalyptic SF
Publisher: Flux, Twitter
Publication Date: February 8, 2016
Format: Paperback
Length: 273 pages
ISBN-10: 0738746916
ISBN-13: 9780738746913

Series or Standalone: The Abyss Surrounds Us #1

Literary Awards: N/A

Themes: QUILTBAG, Romance, Pirates, climate science fiction
POV: 1st Person Singular
Tense: Present

Reviewer: Marisa Greene

Where I Got It: Recced by a friend

Cover Notes:  Holy crap, guys.  Loved this cover!  Normally I’m not much for textured titles, but this just fit so well.  The light effects are a bit flashy for me, but they’re story related, so I’m dealing with it.

Review:  

There are good and bad things about this book.  I don’t love the first person present here.  It doesn’t feel like it serves the purpose I expect that set-up to serve.  The pacing doesn’t match it, mainly.  But I did like Cas’s voice, so that’s something, I guess.  I appreciated her snark in the face of adversity.  I wish the main characters were fleshed out a bit more, too.  Like, I get Swift is the mysterious stranger.  But I could have done with a bit more personality.

Now, the premise of the book is fantastic.  War leviathans?  Sign me up.  Also, the romance angle.  Although the execution was a bit lacking in this book, there’s a sequel.  It gets better, I think.  I should take now to mention I’ve already read the sequel.  A lot of stuff makes more sense, and more plot lines get tied up or at least explored, if you read the sequel.  It’s basically one story rather than two sequential stories.  I could still wish some things developed faster, but that’s how this structure works.

Although I liked Cas’s voice, I wish her character had been a bit less bland.  Besides her Reckoner training training, there’s not a ton to the character.  Perhaps it’s because the action/adventure part started so early.  But I would have liked more understanding of her relationship to her family.  More about who she was besides being a trainer in training.  I think this lack of development hurts her character in this book and the sequel.  It’s a lot more interesting for me when someone has to make tough decisions if I feel I know enough about them to justify both the internal conflict and their choice.

One of the main things I liked about this book was that Cas was both not white and not straight.  The sexual orientation aspect was really well handled, to me.  Not preaching, judging, ham-handedness.  But she seems so bland it’s hard to see any influence from her Asian heritage.  Maybe that’s how it should be.  Either way, it’s nice to see some diversity.

The setting for this story is pretty important.  It’s something of a climate science fiction story, with rising water levels and the break-up of big countries into smaller political units.  Thus the need for the Reckoners.  Although it’s only vaguely sketched out in the book, I think it works well as a backdrop, and there’s nothing that makes you feel like it’s a cheap gimmick.  It informs the attitudes of both the privileged “shore” people with national citizenship, and the nation-less “pirates”.

The supporting characters here, especially as you read the sequel, are very neatly-drawn.  Although the main villain in the first book is a bit one-note, banging the cruel manipulation drum non-stop, the rest of the “bad” characters have some nice nuance to them, which is something you don’t always see in these sorts of stories.

Because it’s the first of a duology, the conclusion leaves a bit to be desired, but it pays off by the end of the second book.  The only plot-hole was the whole trope of animals tasing human blood.  It was played up a lot by Cas, but in the end, as the SBTB review says, it didn’t seem to have much effect?

Finally, the romance angle was cool.  There’s a really fantastic scene where the concept of consent comes up.  You’ll know it when you see it.

Conclusion: 78/100 (Has its flaws, but totally worth it for the awesome sea monsters)
Premise: 10/10 (For awesome, even if the science is bullshit)
Plot: 7/10 (Pretty standard kidnapping story)
Setting: 8/10 (Could have been deeper but worked well)
Main Character: 7/10 (Pretty standard YA protag)
Orientation: 8/10 (No yuck, but little relevance?)
Romance: 8/10 (An extra point for dealing with consent issues)
Supporting Characters: 8/10 (Loved ’em)
Writing: 8/10 (Very smooth aside from the tense and perspective issues)
Themes: 7/10 (Standard but well-executed)
Resolution: 7/10 (First-book-itis)

Buy Or Borrow:  Buy or borrow, either one is a good choice here.

Similar Books:

Can’t think of any obvious similar books off the top of my head.  Paolo Bacigalupi’s Shipbreaker series, maybe?

Other Reviews:
GoodReads
Smart Bitches, Trashy Books
Kirkus Reviews
Publishers Weekly
Books, Bones, and Buffy
Rich in Color
The Lesbrary (major first-half spoilers!)

Buy Links:
Amazon
Barnes and Noble
IndieBound

E-Books:
iBooks
Kindle UK
Kindle US
Kobo
Google Play
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Magical Realism Mondays: The Accident Season by Moira Fowley-Doyle

a girl falling upside-down

It’s the accident season, the same time every year. Bones break, skin tears, bruises bloom.

The accident season has been part of seventeen-year-old Cara’s life for as long as she can remember. Towards the end of October, foreshadowed by the deaths of many relatives before them, Cara’s family becomes inexplicably accident-prone. They banish knives to locked drawers, cover sharp table edges with padding, switch off electrical items – but injuries follow wherever they go, and the accident season becomes an ever-growing obsession and fear.

But why are they so cursed? And how can they break free?

Title: The Accident Season
Author: Moira Fowley-Doyle
Category: Young Adult
Genre: Magical Realism
Publisher: Transworld Publishers, Corgi Childrens’
Publication Date: August 18, 2015
Format: Paperback
Length: 280 pages
ISBN-10: 055257130X
ISBN-13: 9780552571302

Series or Standalone: Standalone

Literary Awards: N/A

Themes: Abuse, Family
POV: 1st person
Tense: present

Reviewer: Marisa Greene

 

Administrative Note from Nick:  Due to a WordPress post-scheduling error, this is the unfinished draft of this review.  The full, complete review will be up as soon as Marisa has a chance to log in and make corrections.  Thanks.

Note 2:  From Marisa: I’m so sorry, guys!  I don’t know what happened!  I like to get all the non-review stuff out of the way before I actually sit down to write the review and save it as a draft.  Somehow that draft got published instead of the real post, but it’s a hassle to delete this and fix all the links, so I’m just copying and pasting the review into this post.

Where I Got It: Loaned to me by Atsiko after I heard great recs for it. I love Magical Realism, so I was very excited when Atsiko offered to loan me this book.  The premise sounded real interesting.  The cover was beautiful, as I mention below.

Cover Notes: The cover was beautiful.  I wish I saw more covers like this in YA.  I like the out of focus look and the odd orientation.  The font is nice, too.

Review: 

The writing of this book is the kind people like to call atmospheric.  it really makes you feel like you imagine the characters feel.  Which is odd in a 1st person narrative, but really nifty.  The opening is a bit contemplative for my taste, I think.  Very introspective and a lot of what I’d call exposition.  I don’t necessarily love the main character, Cara’s voice.  it’s a bit bland for my taste, although you might argue that contrasts well with the magical side of magical realism.  It’s a lot easier to take seriously when described by such an every girl.  Whereas if her best friend, Bea, was the narrator, her wild world-view would ground the piece.  A re-write from Bea’s perspective could be very illuminating, though probably not worth it for the author or most readers.

To be honest, the major flaw with the narrator is that besides her ex-step-brother Sam, I find basically all of the other main characters more interesting.  While they are built from their own stereotypes, the author does a great job of making it seem like they have lives beyond the narrator.  They do things with each other that don’t involve Cara, and that they must know would even be hurtful to her.  In a lot of YA, there’s so much focus on the narrator or their antagonist or their LI, that the relationships between the secondary characters get underfed.  The side characters and their independence are definitely one of the strengths of this book.

The plot is not a fast-paced headlong rush of action.  Even some contemporary or magical realist stories insist on a fast pace with a few slow interludes.  But I think Accident Season does very well with the slow unfolding and a few quick scenes instead.  I also enjoyed how, like in Nova Ren Suma’s Imaginary Girls, the normal activities of teenagers function so well to drive the plot forward.  It never seemed like anything was forced to advance the plot.  That’s a rare trait in a lot of books, YA and Adult.

The conclusion was a bit disappointing for me, especially given how much I enjoyed the build-up.  It fit the Magical Realist pattern beautifully, but it seemed a bit too pat, especially in the romantic arcs.  It’s quite obvious in my eyes who Cara will end up with, but two of the side characters ended up together in the one seeming authorial intrusion in the novel.  And the implications of that coupling irritated me.  They seemed a bit sexist, I think.  And if that had to be the pairing, I would have preferred it to not work out, be a sort of a tragic miss or just a case of unfortunate circumstances.

While there’s nothing new or innovative in the underpinnings of this story, or how it worked out, I think the arrangement of pieces was very adept and satisfying.

The one thing I’m unsure about is the setting.  This could really have been set in any English-speaking place.  There wasn’t anything in particular that anchored the book in small-town Ireland, County Mayo.  It could as easily have been in the Midwestern or Northeastern US in the month October.  I was a bit disappointed by that.  Or maybe I just missed the clues?

The premise of the accident season, which I really should have touched on earlier given its titular role in the story was one of my favorite parts of the story.  Even as just a character superstition without the magical realist elements, I think it could have been a strong basis for a story, even this story.  It’s unique as a device in my experience, but it’s totally believable that a real person would think this way, and the author does nothing to ruin that effect.

Overall, this was a solid story with some really fun elements.  It sits in the middle of my list of favorite Magical Realism novels.  I look forward to further work by this author.

Conclusion: 76/100 (A good book, though not great)
Premise: 9/10 (Accident season: really cool and original)
Plot: 8/10 (Solid and few plot holes, if any)
Setting: 7/10 (Atmospheric and believable, though not rooted strongly in a specific real-world place)
Main Character: 7/10 (Not bad, but overshadowed by the side-characters)
Magical Realism: 9/10 (Beautifully balanced ambiguity between reality and whimsy)
Romance: 4/10 (Predictable and boring, even disappointing)
Supporting Characters: 9/10 (Well-drawn, independent actors)
Writing: 8/10 (Beautiful and served the story)
Themes: 8/10 (Not new, but very well-explored)
Resolution: 7/10 (Good parts and bad)

Buy Or Borrow:  It’s definitely worth buying if you’re a big fan of (YA) magical realism.  If you like to visit but not stay, maybe borrow it from a friend.

Similar Books:

Imaginary Girls by Nova Ren Suma
We Were Liars by E. Lockhart
Bone Gap by Laura Ruby
All Our Pretty Songs by Sarah McCarry

Interviews:

Writing.ie

Other Reviews:
GoodReads
Kirkus Reviews
TeenReads
The Book Smugglers (at Kirkus)
It Starts at Midnight
MuggleNet
Please Feed the Bookworm

Buy Links:
Amazon
Barnes and Noble
IndieBound

E-Books:
iBooks
Kindle UK
Kindle US
Kobo
Google Play
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Magical Realism Mondays

A popular new genre in YA fiction is that of Magical Realism.  There are various definitions, but it is essentially a literary genre in which the fantastic is presented as no more remarkable than the mundane.  Also referred to as fabulism or new fabulism, it generally consists one no more than a couple fantastic elements in an otherwise normal world, generally unexplained, though often with an alternative rationalist explanation not privileged over the fantastic by the author or even sometimes the characters.

 

As of this leap day, we will be instituting a new feature, Magical Realism Mondays, where on the first or second Monday of each month, Marisa will be reviewing, possibly with spoilers, a Magical Realist YA novel, beginning with  Moira Fowley-Doyle’s The Accident Season.  Spoiler alerts will be posted if necessary.

Regularly scheduled ARC and post-pub reviews will still be posted, just not on these day.

Book Review: Young Adult: The Harvest by Chuck Wendig

The Harvest cover

It’s been a year since the Saranyu flotilla fell from the sky, and life in the Heartland has changed. Gone are the Obligations and the Harvest Home festivals. In their place is a spate of dead towns, the former inhabitants forced into mechanical bodies to serve the Empyrean—and crush the Heartland.

When Cael awakens from a Blightborn sleep, miles away from the world he remembers, he sets out across the Heartland to gather his friends for one last mission. As the mechanicals, a war flotilla, and a pack of feral Empyrean girls begin to close in on the Heartland, there isn’t much time to make their next move. But if they can uncover a secret weapon in time, Cael and his friends might just find themselves with the power to save the world—or destroy it—resting in their hands.

Title: The Harvest
Author: Chuck Wendig
Category: Young Adult
Genre: Dystopian/Near-future SF
Publisher: Skyscape
Publication Date: July 14, 2015
Format: DRC
Length: 437 pages
ISBN-10: 1477830022
ISBN-13: 9781477830024

Series or Standalone: The Heartland Trilogy #3

Literary Awards: N/A

Themes: Power Corrupts, Evil for Evil, Family
POV: Third Person, Multiple POVs
Tense: Present

Reviewer: Nick Morgan

Where I Got It: A digital ARC from NetGalley.  Since I reviewed the second book, I figured I might as well see what’s changed.

Review:

(The first thing I want to say is, normally I leave cover commentary to Marisa, but the whole set of covers for this series were fantastic.  The whole design, even.  I really enjoyed the visual look of the series.)

There were a lot of things to love about this book.  The supporting cast is complex and well-drawn.  They have goals beyond helping the protag do whatever he’s doing.  The villain was lovely.  Sort of a secret, but worked brilliantly with the themes of the book without sacrificing narrative consistency.  You can totally believe all the characters’ motivations while simultaneously seeing the trainwreck they are leading up to.  Cael’s opponent and allies all have their own goals, and are often blind to each other’s understanding of the world.  The Empyrean are more than just villains or dupes.  They may not care much about the Heartlanders, but they care a lot about each other.  It’s rare to see characters reflect the way that everyone is the hero of their own story and has their own narrative through which they view the world.

You learn a great deal about the world of the story that was always in the background but unknown to the readers and characters.  As usual, Wendig’s world-building is beautiful.  Not only is it rich without info-dumping, but it really draws you into the setting.  In so many ways, it seems like it could be real.  Many fantasy and science fiction authors don’t and will probably never have the ability to create a world that seems like it exists beyond the confines of the story.

Unsurprisingly, there’s a MacGuffin in the book.  But it’s a beautiful one.  It does so much more than just provide a quest object for Cael and his enemies to fight over. It reveals things about many of the supporting characters, the way the world of the Heartland is built and functions, and to what lengths the main characters are willing to go to achieve their goals.

The book also has another SFF staple: the Epilogue.  Personally, I felt this one was a bit more of an easy hook to leave space for writing other stories set in Wendig’s world.  I don’t think it was necessary for the story told in this novel.

The themes of the novel, and the series, are both clear but not ham-fisted.  The events of the story just naturally seem to support them.  The structure of the novel just fits these things in so well.

But, as a book, I didn’t enjoy it as much as I could have.  I was constantly putting the book down at the slightest opportunity.  And it was often hard to make myself pick it back up.  I admire Wendig’s skills as a writer in a lot of areas.  But novel pacing is not very high among them.  There was far too much down-time, often unnecessary.  Then all the action would be packed into tiny little bits of the book.  Perhaps that lack of focus was the thing that allowed Wendig to do all the things I loved in this book.  But as strictly a reader, it made it hard to keep reading.

I’m just waiting for Wendig to take all the things he does so well and tie them in with a well-paced story that keeps me reading.  From a writer’s standpoint, this book was incredibly interesting as something to analyze for craft, but as a novel, it was eminently put-down-able.  That may seem odd given the score I gave it.  But I know I have a bit of an odd view on what makes a good book, and I think many readers will have an easier time keeping their eyes on the page than I.

Conclusion: 80/100 (Lovely in its parts, quite flawed as a whole)
Premise: 9/10 (As nifty as it was in the first book)
Plot: 7/10 (Some cool twists, but nothing brilliant)
Setting: 10/10 (As usual, Wendig delivers)
Main Character: 6/10 (Kinda dull, also a douche)
The Villain: 8/10 (Worked brilliantly with the theme)
The Weapon: 8/10 (Loved it)
Supporting Characters: 8/10 (Well-drawn and interesting)
Writing: 8/10 (Well above competent)
Themes: 9/10 (Favorites well-executed)
Resolution: 7/10 (Cool, but coulda been better)

Buy Or Borrow:  If you liked the rest of the series, you’ll probably love this.  If not, it might be better to borrow from a friend.

About the Author:

Chuck Wendig is a novelist, screenwriter, and game designer. He’s the author of BLACKBIRDS, DOUBLE DEAD and DINOCALYPSE NOW, and is co-writer of the short film PANDEMIC, the feature film HiM, and the Emmy-nominated digital narrative COLLAPSUS. He lives in Pennsylvania with wife, taco terrier, and tiny human.

Similar Books:

Other Reviews:
GoodReads
Michael Patrick Hicks – Author Website
Article 94
Froggy Chemist
Dantastic Book Reviews

Buy Links:
Amazon
Barnes and Noble
IndieBound

E-Books:
iBooks
Kindle UK
Kindle US
Kobo
Google Play
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Book Review: Young Adult: Red Queen by Victoria Aveyard

Red Queen cover

The poverty stricken Reds are commoners, living under the rule of the Silvers, elite warriors with god-like powers.

To Mare Barrow, a 17-year-old Red girl from The Stilts, it looks like nothing will ever change.

Mare finds herself working in the Silver Palace, at the centre of
those she hates the most. She quickly discovers that, despite her red blood, she possesses a deadly power of her own. One that threatens to destroy Silver control.

But power is a dangerous game. And in this world divided by blood, who will win?

Title: Red Queen
Author: Victoria Aveyard
Category: Young Adult
Genre: Dystopian, Science Fantasy
Publisher: HarperTeen
Publication Date: February 10, 2015
Format: ARC
Length: pages
ISBN-10: 0062310631
ISBN-13: 9780062310637

Series or Standalone: Red Queen #1

Literary Awards: N/A

Themes: Loyalty, Betrayal, Class Warfare
POV: First Person, Singular POV
Tense: Present Tense

Reviewer: Marisa Greene

How I Found It: Happened across an ARC by way of a friend.

Cover Notes: Normally I prefer a bit more of a visual, but this cover was minimalist and surprisingly effective.  I like to think the Red blood on the Silver crown has a certain thematic resonance.  Plus the font is not horribly gimmicky, and the background color is soothing.

Soundtrack:  Hard to decide between Baroque music or more martial tunes for this one.  Or some angsty emo pop.  Because, damn there’s some whining in this book.  I like to think I was a bit more mature as a teenager–probably not.

Review:

I’ve seen a lot of comparisons in other reviews to either Red Rising by Pierce Brown.  There are some shocking similarities.  You can find plenty of examples on Goodreads.  It’s almost the female version, really.  The marketing hype played it up as The Selection by Kiera Cass meets Graceling by Kristen Cashore.  I fail to see any Graceling here, but the first few chapters are almost a novelette length version of “Selection”.

Let’s talk about that, for a bit.  It was boring.  A huge info-dump to display various Silver powers and introduce the Silver aristocrats who played a major part in the cast of the story.  Perhaps if Aveyard had gone into a bit more detail it could have been interesting.  As-is, it felt rushed, and the transition was poor.  I really liked the first couple chapters.  The Roman Empire with electricity thing was a bit heavy-handed.  The book starts out with literal bread and circuses in the form of a gladiatorial match.  Aveyard shoved quite a bit of info-dumping into that, too.  I understand her desire for a quick hook, in the form of threat of conscription for the main characters.  But she pushed too hard, and the set-up of the novel suffered for it.  It also relied on too many cliches.  I would have loved for Mare to steal her way into transport with the Scarlet Guard.  See how things go from there.  But of course, we had to go the sudden awakening of secret powers route.

Now for the steamy bits!  Or rather, the lack thereof.  There’s the requisite love triangle.  Or a square, in this case.  We have the childhood friend, in the form of Kilorn.  And then we have the two Princes of the Realm.  Because what’s a female MC without attracting every eligible bachelor for kingdoms around?  Honestly, I have no idea what the Princes see in Mare, whose a work-a-day Mary Sue character at best, and the speshulist of snowflakes.  I don’t think it’s a spoiler to admit that she naturally has a power no-one else does, having done nothing to earn it, and makes zero use of her pre-awakening skills once she learns to control that power.  There’s nothing but that undeserved power to distinguish her from every other angsty, helpless YA heroine.  I loved Mare the pickpocket, cliche or not, but Mareen the lightning-flinger has little to recommend her.

I’d also like to talk about the portrayal of women in the novel.  They’re all mean and conniving, except for out heroine who is selfish and whiny.  We even have a bona fide Evil Stepmother(TM), and a jealous rival for the heroines main princely love interest.  Some of the Goodreads reviews go into a lot more detail here, with quotes, even.  But practically every silver woman hates Mare on sight, despite plenty of male Silvers who like her, and more nuanced reactions from those who don’t.  Even to the point of being ridiculous.  Cal her no apparent reason to care for the MC, and his throwaway kindness at the beginning could have managed perfectly fine as just that, a throwaway that gets the heroine’s story going.  There are even the standard mean girls.  I would have liked more depth to most of the characters in the novel.

Finally, I need to talk about the conclusion.  No spoilers, but it was horribly predictable.  There’s a huge plothole involving the Queen’s powers.  She’s so powerful, and yet she seemed almost incompetent given how easily a couple of teenagers outwitted her.  So the end of the book did not come as a huge shock to me.  Perhaps the reader is supposed to be a bit sharper than Mare, but the difference between what the readr could figure out and what Mare could was way too large.

I thought I was prepared for this book when I saw the comp titles.  Not really my favorite area, though I’ve enjoyed other dystopians well enough.  But the massive hype left me quite disappointed when I flipped the last page of this book.  Though to be fair, I’m not quite the target audience.

Conclusion: 60/100 (I enjoyed it a bit, but it could have been a lot better)
Premise: 5/10 (Nothing new or exciting here)
Plot: 5/10 (Too many characters passing around the idiot ball)
Setting: 7/10 (Could have been better developed)
Main Character: 4/10 (Selfish and whiny)
Love Interest(s): 5/10 (Lots of boys, little variety)
Powers: 8/10 (Standard, but with great presentation)
Supporting Characters: 7/10 (Far better than the main characters, really.  Loved Julien and the King)
Writing: 6/10 (The mechanical aspect was quite good.  The meaning, rather pedestrian)
Themes: 6/10 (Some of my favorite themes, but poorly handled)
Resolution: 7/10 (Would have been cool if it wasn’t so obvious)

Buy Or Borrow: Borrow, unless this is your genre.

Similar Books:

The Hunger Games bu Suzanne Collins

Red Rising by Pierce Brown

The Selection by Kiera Cass

Other Reviews:
GoodReads
Publishers Weekly
Kirkus Reviews
Muggle Net
USA Today
The Guardian
The Book Smugglers

Buy Links:
Amazon
Barnes and Noble
IndieBound

E-Books:
iBooks
Kindle UK
Kindle US
Kobo
Google Play
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Book Review: Young Adult: Dead Zone by Robison Wells

Dead Zone Cover

The invasion has begun—and a group of teens are caught in the crossfire.
I volunteered to be a spy, not an assassin.
I know this is war . . .
but I just want to do what’s right.
If you ask me, none of us should be here—but no one gave me a choice.
And I won’t blindly follow orders.
I am essential to the plan.
And I will be a hero for my country.
If I were normal, I wouldn’t be
old enough to join the army.
But I’m not normal. I’m a weapon.
We’re a perfect match—
on and off the battlefield.
I hope that means we’ll both survive.

Title: Dead Zone
Author: Robison Wells
Category: Young Adult
Genre: Science Fiction Thriller/Action Adventure
Publisher: Harper Teen
Publication Date: September 30, 2014
Format: Paperback ARC
Length: 373 pages
ISBN-10: 0062275046
ISBN-13: 9780062275042

Series or Standalone: Blackout #2

Literary Awards:
N/A

Themes: Following Orders, Greater Good
POV: Multiple 3rd person
Tense: Past

Reviewer: Nick

Where I Got It: Thanks to Atsiko for finding a trove of 2014 ARCs. We’ve both spent time listening to Brandon Sanderson’s Podcast, Writing Excuses, on which Wells was often a guest, so we were very excited to have someone reviewing this book. For scheduling reasons, that someone ended up being me.

Review:

This was a difficult review to write. I knew about a third of the way through this would not be a favorite of mine. I like the premise. Superpowers, especially limited and diverse superpowers, are inherently a fun idea for me. But, because I enjoy the idea so much, I might be more inclined to a tough rubric. There have been several well-known books/multi-media franchises based on the concept of large numbers of people with starkly varying super-powers. X-Men is probably the most famous. The TV show Heroes also achieved a good deal of success with this premise. Going further afield, there have been several anime and manga series using a similar idea: Gakuen Alice, and more recently Tokyo ESP. None of these stories are perfect. And neither is Dead Zone.

One of the major issues I had with the book was the characters. They were, to my mind, very cliche representations of teenagers. The character voices and their behavior didn’t feel natural to me in many scenes of the book. The supporting characters were more complex than the main characters, while being more cliche stereotypes. The main characters, while less cliche, were also much less complex, and I had trouble buying some of their emotional quandaries. You’re going to have a certain amount of apparent cliche in any YA book, just because your average teenager has fairly similar experiences to their peers, and also because of media stereotypes popularized by well-known television shows and movies. It can be very hard to break out of those narratives, especially for older authors who may be more distant from their teenage selves.

The plot of Dead Zone was also a fairly standard war plot. I felt like I saw quite a few of the plot twists coming. They followed a common pattern.

To be fair to Wells, I can definitely see why a publisher picked this up. It’s got that high concept and breakneck pace that makes thrillers so popular. The problem-solving ability of the main characters was great fun to see in action, and he created that sense of righteous indignation at the way the characters were co-opted by various groups that can lead to a strong emotional investment even in weakly-drawn characters.

I haven’t read Variant, or any of the books in that series, so I can’t say how Dead Zone stacks up. It is an improvement on Blackout, so readers who enjoyed the first book in the series will likely enjoy this one. I personally wouldn’t have bought this book after reading Blackout. I don’t mind the few hours it took to read it, but I think I would have minded the money I’d have had to spend to buy it.

Conclusion: 66/100 (Readable, but not compulsively so)
Premise: 6/10 (Done before, sometimes better)
Plot: 7/10 (Cliche)
Setting: 7/10 (Decently-drawn)
Main Character: 7/10 (Nothing special, but nothing terrible)
SF Elements 6/10 (Cliche)
Mutant powers 7/10 (Cliche, but well-used)
Supporting Characters: 7/10 (Cliche)
Writing: 3/15 (Competent, but no more)
Voice: 2/5 (Not great)
Themes: 7/10 (Common and mediocre execution)
Resolution: 7/10 (Cliche)

Buy Or Borrow: Worth buying if you like super hero stories, otherwise borrowing might be the best option.

Similar Books:
Very similar to the X-Men franchise and also the TV show Heroes. Your standard kids with superheroes story.

Other Reviews:
GoodReads
Kirkus Reviews
YA Books Central
This Blonde Reads
San Francisco Book Review

Buy Links:
Amazon
Barnes and Noble
IndieBound

E-Books:
iBooks
Kindle UK
Kindle US
Kobo
Google Play
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